q2K BHP
Black History Portal
THE BHP WIRE —
HIDDEN TRUTHS
What's New!
THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

✊🏾

Civil Rights

Movements, leaders, victories and the continuing fight for equality.

⚙️

Black Inventors

Innovation, patents, science, technology and world-changing contributions.

🏆

Sports

Pioneers, champions, Negro Leagues, records, activism and excellence.

♟️

People

Meet the people whose lives, choices and achievements shaped the journey.

📍

Places

Black towns, communities, institutions and places where history happened.

📜

Events

Moments that changed communities, movements, institutions and the nation.

Enter a person, place, event, or topic.
MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

MORE →
BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

MORE →
BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
← BACK TO RESULTS
NMAAHC

Photograph of Ivie Anderson, Rex Stewart, Harry Carney, and Hayes Alvis

Date
1931-1942
Photograph by
Description
A silver gelatin print depicting a black-and-white image of Ivie Anderson, Rex Stewart, Harry Carney, and Hayes Alvis. Anderson is centrally depicted, standing behind a microphone. The three (3) men stand behind her, forming a semi-circle. Anderson is depicted from the shoulders up, and the men from the waist up. Anderson is wearing a white top with puffed sleeves. Stewart, depicted on the far left, is standing in profile, looking towards the right side of the image. He is wearing a black shirt with a patterned tie. Carney stands slightly left of center. He is wearing a dark shirt, dark tie, and suspenders. Alvis is depicted on the right. He is wearing a dark shirt, a medium toned vest, and a checkered tie. There is an inscription on the back of the photograph, written in pencil, that reads, [Duke's Vocal Trio and / Ivy Anderson / (Rex, Harry Carney and / Hayes Alvis)]. There are also additional blue and red pencil notations written on the back of the photograph.
See more items in
National Museum of African American History and Culture Collection
Collection title
The Laura Cathrell Show-Down Magazine Collection
Classification
Photographs and Still Images
Movement
Harlem Renaissance (New Negro Movement)
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2013.46.25.62
Type
gelatin silver prints
portraits
Restrictions & Rights
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper
Dimensions
H x W (Image): 3 1/16 × 4 1/2 in. (7.7 × 11.5 cm)
H x W (Sheet): 3 5/16 × 4 13/16 in. (8.4 × 12.2 cm)
Title
Object Name • Photograph of Ivie Anderson, Rex Stewart, Harry Carney, and Hayes Alvis
Record ID
nmaahc_2013.46.25.62
Museum
NMAAHC
Title Sort
PHOTOGRAPH OF IVIE ANDERSON, REX STEWART, HARRY CARNEY, AND HAYES ALVIS
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1940s • 1930s
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

No preview image
NMAAHC

Photograph of Ivie Anderson, Rex Stewart, Harry Carney, and Hayes Alvis

Date: Date

Description

MORE →
No preview image
NMAAHC

Harry Belafonte confers with Mrs. Coretta Scott King while seated next to Rev. Martin Luther King Sr. and Mrs Alberta King

Date: Date

Caption

MORE →
No preview image
NMAAHC

Coretta Scott King observes the program from her seat with actor Harry Belafonte and members of her family

Date: Date

Caption

MORE →
NMAAHC

Claim sheet for unpaid salary for orchestra musicians

Date: Date

Description

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

MORE →
TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.