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GREENWOOD / BLACK WALL STREET WILMINGTON 1898 LITTLE ROCK NINE TUSKEGEE STUDY ROSEWOOD 1923 THE TUSKEGEE AIRMEN SENECA VILLAGE BLACK TOWNS GREENWOOD / BLACK WALL STREET WILMINGTON 1898 LITTLE ROCK NINE TUSKEGEE STUDY ROSEWOOD 1923 THE TUSKEGEE AIRMEN SENECA VILLAGE BLACK TOWNS
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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Handbag designed by Lillian Head

Date
1967 - 1968
Created by
Lillian Head, American, 1921 - 2010
Subject of
Black Fashion Museum, American, 1979 - 2007
Description
A leather and plastic handbag designed to resemble the elevators in the Hyatt Regency Atlanta in Atlanta, Georgia. The handbag is cylindrical, with tapered ends. The main body of the handbag is clear, made from one piece of plastic that is stapled at its seam and secured into place by being stitched and glued to eight (8) reddish-brown leather straps extending the full length of the handbag, from the base to the top opening. The top and bottom portions of the handbag are constructed from reddish-brown leather overlaid onto a form. At the top of the handbag, all eight (8) leather straps taper upwards to form a cinch closure that can be pulled shut by tightening two cords that are looped through the leather straps and knotted together on the ends. The cords are made from a brown synthetic fiber and capped with metal end caps. When fully tightened, the cords extend from the leather straps by approximately 9 inches, which can be grasped to carry the handbag. Underneath the leather straps and cords is the opening into the central body of the handbag. The opening is covered by a hinged flap that is glued to one side of the opening and can be secured on the other side with a snap. At the bottom of the handbag, all eight (8) leather straps continue extending downwards to be concealed under a circular band of leather stitched and glued to the base. This small circular base creates a foot on which the handbag can be rested. All of the interior leather portions of the handbag are lined with a deep red velvet, covering the interior base and the verso of the flap that covers the opening.
Place made
Atlanta, Fulton County, Georgia, United States, North and Central America
Topic
African American
Architecture
Clothing and dress
Fashion
Women
See more items in
National Museum of African American History and Culture Collection
Collection title
Black Fashion Museum Collection
Classification
Clothing - Fashion and Historical
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane
Data Source
National Museum of African American History and Culture
Object number
2007.3.3.2
Type
handbags
Restrictions & Rights
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
Medium
leather, plastic, velvet and metal
Dimensions
H x W x D: 10 1/4 × 7 × 6 1/2 in. (26 × 17.8 × 16.5 cm)
Circumference: 20 in. (50.8 cm)
L (With cords fully extended): 21 1/4 in. (54 cm)
Title
Object Name • Handbag designed by Lillian Head
Record ID
nmaahc_2007.3.3.2
Museum
NMAAHC
Title Sort
HANDBAG DESIGNED BY LILLIAN HEAD
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s
Name
Black Fashion Museum • Head, Lillian
Place
Atlanta • United States • North and Central America • Fulton County • Georgia
Topic
Women • Architecture • Clothing and dress • Fashion
Culture
African Americans
Geo Location
City • Atlanta • County • Fulton County • State • Georgia • Country • United States • Continent • North and Central America
Type
Purses (bags)
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Hat designed by Lillian Head

Date: Date

Description

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NMAAHC

Handbag designed by Lillian Head

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Description

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NMAAHC

Rake head

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NMAAHC

Culling hammer

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.