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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Ebony Parade

Date
1947
Description
A 16mm print of a film with the title Ebony Parade. It consists of a single reel of positive, black-and-white, 16mm acetate film with bilateral variable-area optical sound. The footage consists of a compilation of "Soundies," each beginning with an introduction by comedian Matan Moreland.
In the opening scene, Moreland appears on screen wearing a turban while sitting in front of a table that holds a crystal ball and a magazine. He looks directly into the camera and says, "Hello folks, this is Mantan Moreland your obedient servant bringing you the top movie entertainment of the year, from the Ebony Parade. Now I’ll tell you how I do this: I move my hand around the crystal ball just like this, wait a minute, I’ve got to look in here and see what’s going on.” He then holds up the magazine, which features dancer Mabel Lee on its front cover. As he speaks, Mabel Lee herself walks onstage and tells him that she will be doing the “Coalmine Boogie” with Pat Flowers and The Ebonettes. Matan Moreland then moves his hand over the crystal ball and repeats “Mable Lee, Pat Flowers and the Ebonettes” a few times. In the next scene, jazz pianist Pat Flowers can be seen playing a grand piano with a woman seated on top of it. The footage then quickly cuts to Mabel Lee and The Ebonnetes doing the "Coalmine Boogie."
The rest of the film continues with Matan Moreland periodically consulting his magazine and moving his hand over the crystal ball before introducing the next Soundie. Other acts in the film include Francine Everett, Dewey Brown and The Sepia Steppers performing “Toot That Trumpet,” Day Dawn and Dusk performing “Faust,” The Mills Brothers performing “Paper Doll," Vanita Smyth singing "They Raided the Joint,” Cab Calloway and His Orchestra performing “The Skunk Song,” The Jubalaires performing “Brother Bill,” and Ruby Hill performing “Put Your Arms Around Me Honey." In the final performance, Count Basie and His Orchestra performs “Air Mail Special” as couples do the boogie woogie on a dance floor.
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National Museum of African American History and Culture Collection
Classification
Time-based Media - Moving Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Anonymous Gift in memory of Ernest (Ernie) R. Smith, Jazz Historian
Data Source
National Museum of African American History and Culture
Object number
2015.275.39.1a
Type
sound films
black-and-white films (visual works)
16mm (photographic film size)
Restrictions & Rights
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
acetate film
Dimensions
Duration (digital file): 00:27:22
Physical extent (film): 1100 ft
Title
Title • Ebony Parade
Record ID
nmaahc_2015.275.39.1a
Museum
NMAAHC
Title Sort
EBONY PARADE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1940s
Geo Location
Country • United States • Continent • North and Central America
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Photograph of Carl Harvey playing Rastacasta electric guitar on stage

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NMAAHC

Carl Harvey prototype custom ESP Rastacasta electric guitar and case

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NMAAHC

Delegate

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NMAAHC

Ebony Parade

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.