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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Memoir and Poems of Phillis Wheatley, a Native African and a Slave, Dedicated to the Friends of the Africans

Date
1835
Caption
Phillis Wheatley Peters (c. 1753 – 1784) was born in West Africa and captured by slave traders as a child, whereupon she was sold to John and Susanna Wheatley of Boston, Massachusetts. She was named after the slave ship on which she was transported to the Americas and the name of her enslavers, but her surname of Peters is that of the man she married in 1778—John Peters, a free man of color.
The story of the discovery of her talent by the Wheatley family is oft told—they taught her to read and write, and by age fourteen, she had begun to write poetry that was soon published and circulated amongst the elites of late eighteenth century America and Great Britain. Her first and only volume of poetry, Poems on Various Subjects, Religious and Moral (1773), was published in London with the assistance of wealthy abolitionists. Peters’ poetry brought her renown in abolitionist circles as proof of the humanity of those of African descent and the inhumanity of the institution of slavery.
The Wheatleys manumitted Peters in 1773 under pressure from critics who saw the hypocrisy in praising Peters’ talent while keeping her enslaved. They died within a few years of this decision, and Peters soon met and married grocer John Peters. Her life afterwards was indicative of the troubled freedom of African Americans of the period, who were emancipated but not fully integrated into the promise of American citizenship. Peters was also affected by the loss of all three of her children—the birth of the last of whom caused her premature death at age 31 In 1784. Despite being feted as a prodigy while enslaved, the emancipated Peters struggled to find the support necessary for producing a second volume of poetry and her husband’s financial struggles forced her to find work as a scullery maid—the lowest position of domestic help. Posthumous publications of Peters’ poetry in various anthologies and periodicals solidified her image as a child poet for the benefit of abolitionist activism and African American cultural pride in the nineteenth and twentieth centuries. In the twenty-first century, the accumulation of this collection is a restoration of Peters the woman and the influence of her poetry and activism today.
Description
A second edition of Memoir and Poems of Phillis Wheatley, a Native African and a Slave, Dedicated to the Friends of the Africans published by Light & Horton in Boston, Massachusetts. Frontispiece portrait of Phillis Wheatley, attributed to Scipio Moorhead, depicts her in profile facing proper right seated at a desk holding a quill to paper in her right hand. Her left hand is raised to her face in thought. Book has cloth binding and a textblock of purple faded to orange. There are losses at the head and tail of the spine, and the top half of the back cover shows water spots. The green label on the front cover is abraded and worn. Several pages towards front of book have spots on the top half of the page. 114 numbered pages.
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National Museum of African American History and Culture Collection
Collection title
Phillis Wheatley Peters Collection
Classification
Books and Published Materials
Movement
Anti-slavery movements
Abolitionist movement
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
A2021.113.1.22
Type
hardcover books
Restrictions & Rights
Public domain
Proper usage is the responsibility of the user.
Medium
ink on paper with cloth and cardboard
Dimensions
H x W x D: 5 7/8 × 3 7/8 × 1/2 in. (15 × 9.8 × 1.3 cm)
Title
Title • Memoir and Poems of Phillis Wheatley, a Native African and a Slave, Dedicated to the Friends of the Africans
Record ID
nmaahc_A2021.113.1.22
Museum
NMAAHC
Title Sort
MEMOIR AND POEMS OF PHILLIS WHEATLEY, A NATIVE AFRICAN AND A SLAVE, DEDICATED TO THE FRIENDS OF THE AFRICANS
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1830s
Geo Location
City • Boston • County • Suffolk County • State • Massachusetts • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Jackie Shane Live

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NMAAHC

Game Football 1989 LA Raiders vs. New York Jets

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NMAAHC

Cabinet card of two young children

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NMAAHC

Memoir and Poems of Phillis Wheatley, a Native African and a Slave, Dedicated to the Friends of the Africans

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.