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Movements, leaders, victories and the continuing fight for equality.
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Explore the people, places, events, achievements, struggles and stories that shaped our journey.
Movements, leaders, victories and the continuing fight for equality.
Innovation, patents, science, technology and world-changing contributions.
Pioneers, champions, Negro Leagues, records, activism and excellence.
Meet the people whose lives, choices and achievements shaped the journey.
Black towns, communities, institutions and places where history happened.
Moments that changed communities, movements, institutions and the nation.
In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
Invective (from Middle English invectif, or Old French and Late Latin invectus) is abusive, or insulting language used to express blame or censure; or, a form of rude expression or discourse intended to offend or hurt;[1][2][3] vituperation, or deeply seated ill will, vitriol.[clarification needed] The Latin adjective invectivus means 'scolding.'[citation needed]
The "genre of invective" or "vituperatio" in Latin is a classical literary form used in Greek and Roman polemical verse as well as in prose. Its primary context is as rhetoric.
The genre of vituperatio belongs to the genus demonstrativum, which is composed of the elements of praise and blame.
During the Roman Republic, personal invectives and character assassination were widely used as part of both forensic speeches and orations. Cicero made frequent use of the invective form against political foes such as Clodius, Catilina (in the Catalinarian speeches) or Mark Antony (Philippics). Common charges included avarice, cupidity, cowardice, effeminacy, drunkenness, poor writing and speaking skills, luxury, disapproved sexual habits and tyrannical behaviour.
Between 44 BC and 30 BC, invective became a tool of the propaganda war between Octavian and Mark Antony.[4] Among other slanders, Mark Antony was accused of having married the foreign queen Cleopatra, of being her submissive subject and of having lost his Roman identity. Further, it was stated that Cleopatra was planning to invade Italy. This propaganda before the Battle of Actium in 31 BC allowed Octavian to present his campaign as a legitimate military campaign to defend the Roman Republic.
The preferred literary term for the later invective of the Renaissance is libel.
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Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
Invective (from Middle English invectif, or Old French and Late Latin invectus) is abusive, or insulting language used to express blame or censure; or, a form of rude expression or discourse intended to offend or hurt; vituperation, or deeply seated ill will, vitriol. The Latin adjective invectivus means 'scolding.'
The Lexicon of Musical Invective is an American musicological work by Nicolas Slonimsky. It was first published in 1953, with a revised and expanded second edition appearing in 1965. The book is an anthology of negative musical criticism, focusing primarily on works that later became part of the standard classical repertoire and on composers now widely regarded as canonical, including Beethoven and Varèse. The material is systematically organized, with entries arranged alphabetically by composer and chronologically within each section. The volume also contains an index titled the “Invecticon,” or “Index of Invectives,” which categorizes recurring critical expressions under thematic headings, ranging from “aberration” to “zoo,” and provides references to the corresponding passages. The structure of the work highlights the rhetorical strategies and stylistic devices employed in critical writing, including metaphorical language and unconventional comparisons. The juxtaposition of critiques drawn from different historical periods—often directed at works that later achieved recognition—reveals recurring patterns of resistance to musical innovation and contributes to the book’s ironic and often humorous effect. In a preface titled Non-Acceptance of the Unfamiliar, Slonimsky identifies a central theme of the collection: the tendency of critics to reject unfamiliar artistic developments. A later edition, published in 2000, includes a foreword by Peter Schickele, titled If You Can’t Think of Something Nice to Say, Come Sit Next to Me, which offers a humorous reflection on the work and its implications. The book has been regarded as a reference resource for the study of nineteenth- and early twentieth-century musical reception. Its entries were extensively used in Dictionary of Folly and Errors in Judgment, a work published in 1965 by Guy Bechtel and Jean-Claude Carrière. A Spanish translation by Mariano Peyrou, titled Repertorio de vituperios musicales, was published in 2016. Concepts illustrated by Slonimsky’s compilation have subsequently been applied in the analysis of critical reception in other musical genres, including popular music.
"Invective Against Swans" is a poem by Wallace Stevens from his first book of poetry, Harmonium (1923).
Nicolas Slonimsky (April 27 [O.S. April 15], 1894 – December 25, 1995), born Nikolai Leonidovich Slonimskiy (Russian: Николай Леонидович Слoнимский), was a Russian-American musicologist, conductor, pianist, lexicographer, and composer. Best known for his writing and musical reference work, he wrote the Thesaurus of Scales and Melodic Patterns and the Lexicon of Musical Invective, and edited Baker's Biographical Dictionary of Musicians.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Joe Louis.
