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Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
Right Reverend Jørgen Engebretsen Moe | |
|---|---|
| Bishop of Kristianssand | |
Jørgen Moe by Adolf Closs | |
| Church | Church of Norway |
| Diocese | Diocese of Kristianssand |
| Appointed | 1874 |
| In office | 1874–1882 |
| Personal details | |
| Born | 22 April 1813 |
| Died | 27 March 1882 (aged 68) |
| Buried | Vestre Aker Church graveyard, Kristiania |
| Denomination | Christian |
| Parents | Engebret Olsen Moe and Marthe Jørgensdatter |
| Spouse | Johanne Fredrikke Sophie Sørenssen |
| Children | Moltke Moe |
| Occupation | Priest |
| This article is part of a series on |
| Norwegian nationalism |
|---|
Jørgen Engebretsen Moe (22 April 1813–27 March 1882) was a Norwegian folklorist, bishop, poet, and author. He is best known for the Norske Folkeeventyr, a collection of Norwegian folk tales which he edited in collaboration with Peter Christen Asbjørnsen. He also served as the Bishop of the Diocese of Kristianssand from 1874 until his death in 1882.[1]
Jørgen Engebretsen Moe was born at the farm of Øvre Moe in the municipality of Hole in the traditional district of Ringerike. He was the son of local farmer and politician Engebret Olsen Moe. He first met Asbjørnsen while the two were preparing for exams at Norderhov Rectory and soon found they had a shared interest in folklore.[2]
Starting in 1841, Moe traveled almost every summer through the southern parts of Norway, collecting traditions and stories from the people living in the mountainous areas. In 1845, he was appointed professor of theology in the Norwegian Military Academy. However, Moe had long intended to take holy orders, and in 1853 he did so. He became a resident chaplain in Krødsherad at Olberg Church and Holmen Church in Sigdal, positions that he held for 10 years.[1]
At his first parish he found inspiration for many of his most famous poems, like den gamle Mester (The Old Master) and Sæterjentens Søndag (Sunday at the Mountain Pastures). In 1863, he moved to Drammen and became parish priest of Bragernes Church, then in 1870 he moved again to Vestre Aker, close to Christiania (now Oslo). In 1874, he became bishop in the Diocese of Kristianssand based at the Kristiansand Cathedral, a position he held from 1874 until his death in 1882. He was a much beloved bishop, and his teaching had a great impact on his contemporaries.[3][4]
Moe has a special claim on critical attention in regard to his lyrical poems, of which a small collection appeared in 1850. Moe felt strongly that writing should be "objective," in the sense that it removed the ego from the narrative. Still, he strove to build and maintain a literary aesthetic in his work. He wrote little original verse, but in his slender volume are to be found many pieces of exquisite delicacy and freshness. Moe also published a delightful collection of prose stories for children, I Brønden og i Tjernet (In the Well and in the Tarn), 1851; and En liden Julegave (A Little Christmas Present), 1860. Asbjørnsen and Moe had the advantage of an admirable style of narrative prose. It was usual that the vigor came from Asbjørnsen and the charm from Moe, but it seems that from the long habit of writing in unison they had come to adopt almost precisely identical modes of literary expression.[5]
Moe was appointed Knight of the Order of St. Olav in 1873 and was made commander of the 1st cross class in 1881. During January 1882, he resigned his diocese due to failing health, and died the following March. His son, Moltke Moe, continued his father's work in folklore and fairy tales and became the first professor of the subject at Christiania University.[6][7]
Together with Peter Christen Asbjørnsen, the impact of Jørgen Moe on Norwegian culture was enormous. To Norwegians, the names Asbjørnsen and Moe have become synonymous with traditional folk tales, the way the name Brothers Grimm is associated with German tales. Not only did they collect and secure parts of the wealth of Norwegian fairy tales and edit them for common readers, but in doing this, they also contributed to the development of the Norwegian language.
The folk literature collected by Peter Christen Asbjørnsen and Jørgen Moe is widely regarded in Norway as a significant contribution to the country's national identity. Askeladden (Ash Boy), a character whose creativity and resourcefulness always win him the Princess and half the Kingdom, is seen as something typically Norwegian. Some of Moe's works of poetry are still cherished, not least because of the tunes set to them. His achievements in the Church are now mostly forgotten, except locally.[8]
Ringerikes Museum is the regional museum for the municipalities of Hole and Ringerike in Buskerud county. Ringerikes Museum is located in Hønefoss at the site of the former Norderhov rectory where Asbjørnsen and Moe first met. It is now the local museum for the Ringerike region and contains a collection of Asbjørnsen and Moe memorabilia. The museum is also noted for its collection of the private belongings of Jørgen Moe. In the 1930s, Marie Moe, Jørgen Moe's daughter, provided a gift consisting of several hundred objects from Jorgen Moe's private home.[9]
{{cite book}}: CS1 maint: location missing publisher (link)Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
Jørgen Engebretsen Moe (22 April 1813–27 March 1882) was a Norwegian folklorist, bishop, poet, and author. He is best known for the Norske Folkeeventyr, a collection of Norwegian folk tales which he edited in collaboration with Peter Christen Asbjørnsen. He also served as the Bishop of the Diocese of Kristianssand from 1874 until his death in 1882.
Apollyon (born as Ole Jørgen Moe) is a black metal/thrash metal multi-instrumentalist, formerly associated with Dødheimsgard, Cadaver and Immortal, now playing in Aura Noir. He has done guest vocals on the Darkthrone albums Plaguewielder and Sardonic Wrath, and also on Audiopain's EP 1986 (2000). He was a live guitarist for Gorgoroth from 2003 to 2004, and performed at Gorgoroth's infamous Kraków show in February 2004 and later released on the video album Black Mass Krakow 2004. In 2004, Apollyon participated in a live tribute to Quorthon of Bathory at the Hole in the Sky festival in Bergen, Norway. Apollyon played bass on all songs, and also did the vocals on the song Equimanthorn. In addition to Apollyon, the line-up of this tribute band consisted of Bård Faust (ex-Emperor) on drums and Ivar Bjørnson (Enslaved) and Samoth (Emperor) on guitars, as well as guest vocalists Gaahl (Gorgoroth), Abbath (Immortal), Grutle Kjellson (Enslaved), Nocturno Culto (Darkthrone) and Satyr (Satyricon).
The battleships Asbjørnsen and Moe were two fictitious ships that raised concern in the Swedish intelligence services at the time of the dissolution of the union between Norway and Sweden in 1905. A Norwegian emigrant to Argentina, the wealthy businessman and diplomat Peter "Don Pedro" Christophersen, had negotiated with the government of Argentina to purchase two battleships. In the end, no deal was concluded, but the rumor disturbed the Swedes—and Prime Minister Christian Michelsen declined to deny that the purchase had taken place. The non-existent battleships were christened the Asbjørnsen and Moe after the writers Peter Christen Asbjørnsen and Jørgen Moe. The incident took place in the context of naval tensions between Norway and Sweden following Norwegian independence, which came to a head in the Admiral Conflict (Norwegian: Admiralstriden). At the time, the Royal Norwegian Navy was more suitable for coastal defense, but the Swedish navy was much stronger. Norway's naval commanders wanted to demonstrate that Norway was capable of defending itself at sea but did not want to provoke Sweden into armed conflict. Commanding Admiral Christian Sparre and his chief of staff, Rear Admiral Jacob Børresen, strongly disagreed on the best strategy to pursue in the event of war with Sweden.
Engebret Olsen Moe (22 July 1780 – 9 May 1849) was a Norwegian Member of parliament. Engebret Olsen Moe was born at Vaker in Norderhov, now Ringerike, Norway. He was a farmer at Mo Gård in Hole, Buskerud, Norway. He served as mayor of the municipality of Hole from 1848 to 1849 and was a member of the Parliament of Norway. He was elected to Parliament in 1815, representing the rural constituency of Buskeruds Amt. He was re-elected in 1830, 1833 and 1839. Moe was married in 1805 to Marthe Jørgensdatter Moe (1786–1846), with whom he had eight children. Their children included Jørgen Moe, noted folklorist, poet, author and Bishop in the Church of Norway. Their grandchildren included Moltke Moe who was a folklorist and professor at the University of Christiania.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
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