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THE JOURNEY THROUGH TIME

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Events

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Photograph of Bill “Hawk” Hawkins, Mantan Moreland, and Paul Williams

Date
ca. 1954
Description
A black-and-white photograph of Disc Jockey Bill “Hawk” Hawkins with Paul Williams, Mantan Moreland, an unidentified man, and an unidentified woman. The photograph, taken from the inside the DJ booth in Bill Hawkins’ Record Studio, depicts the group clustered together at one end of the booth. They are standing behind the DJ console’s microphone and turntable. Hawkins is depicted at the center, smiling, and looking slightly downwards. He is wearing a white collared shirt, dark trousers, a medium-toned belt, and a pair of headphones over his ears with black wires draped down the front of his shirt. The man on the far left, Paul Williams, is wearing a dark suit, white collared shirt, and a tie with checker and floral patterns. His face is partially obscured by the microphone on the DJ console. The woman second from the left is wearing an off-the-shoulders, dark sequined dress with a sweetheart bodice. She is resting her hands on William’s proper left shoulder and chest. The man on the far right, comedian Mantan Moreland, is wearing a medium-toned suit, dark collared shirt, patterned tie, a white pocket square in his proper left breast pocket. He is standing in front of an unidentified man, second from the right. He is wearing a houndstooth patterned collared shirt, and a thin houndstooth patterned jacket. In the background is the corner of two wood paneled walls with two windows with white shades. There is yellowed tape residue at all four corners and along the right edge. The photograph has a white border and a landscape orientation. The back of the photograph is white with a stamp along the top left edge and several handwritten black ink inscriptions. The black ink stamp reads [[JAMES A. JOYCE / PHOTOGRAPHER / TY 1-0748 CLEVELAND, OHIO].
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National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of W. Allen Taylor, son of "Walkin' Talkin' Bill Hawkins," The First Black Disc Jockey of Cleveland, Ohio
Data Source
National Museum of African American History and Culture
Object number
2018.91.2.4
Type
gelatin silver prints
portraits
Restrictions & Rights
Unknown – Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper
Dimensions
H x W (Sheet): 5 1/4 × 7 1/16 in. (13.3 × 17.9 cm)
Title
Object Name • Photograph of Bill “Hawk” Hawkins, Mantan Moreland, and Paul Williams
Record ID
nmaahc_2018.91.2.4
Museum
NMAAHC
Title Sort
PHOTOGRAPH OF BILL “HAWK” HAWKINS, MANTAN MORELAND, AND PAUL WILLIAMS
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1950s
Geo Location
City • Cleveland • County • Cayuhoga County • State • Ohio • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Photograph of Disc Jockey Bill “Hawk” Hawkins inside the Shiloh Baptist Church

Date: Date

Description

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NMAAHC

Photograph of the exterior of Bill Hawkins’ Record Studio

Date: Date

Description

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NMAAHC

Photograph of Disc Jockey Bill “Hawk” Hawkins with Bill Bailey

Date: Date

Description

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NMAAHC

Photograph of Bill “Hawk” Hawkins, Mantan Moreland, and Paul Williams

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Supreme Court case ruled state-sponsored public-school segregation unconstitutional?

Brown v. Board of Education in 1954.