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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Unite

Date
1971
Caption
"To build a nation, you need everybody to work together. You know? Everybody must come together and work together." - Barbara Jones-Hogu
Chicago-based artist Barbara Jones-Hogu was a founding member of the African Commune of Bad Relevant Artists (AfriCOBRA), a group seeking to create positive and culturally relevant art for the urban black community. Jones-Hogu’s use of lettering in print designs, illustrated by her dynamic repetition of the word "unite," was an important component of AfriCOBRA’s early visual aesthetic. The closed raised fist, used here to represent cohesion of purpose within the Black Arts and Black Power movements during the late 1960s and the 1970s, has been adopted by various movements and organizations to represent solidarity and resistance.
Description
Screen print of nine (9) individuals with their right fists raised, standing in two rows facing each other. The foremost figure on the right stands facing the viewer. Clad in black, the figures' bodies and hair are dark shadows while the faces are sharp planes and angles reminiscent of African masks. The background is made up of the word "Unite" repeated in the letters of varying sizes in red, blue, purple and yellow. Along the bottom of the image is the signature of the artist, along with signatures of seven other artists from the AfriCOBRA group. There is violet ink stamped "AfriCOBRA, Print #10, Copyright 1971," on the lower left. The margins around the image are covered with a brown sticky residue. There are streaks of a milky white liquid visible spattered on the image.
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National Museum of African American History and Culture Collection
Classification
Visual Arts
Movement
Black Power (Black Pride)
BAM (Black Arts Movement 1965-1976)
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2008.13
Type
screen prints
Restrictions & Rights
© Estate of Barbara Jones-Hogu, Courtesy of Lusenhop Fine Art
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink on paper
Dimensions
H x W (Picture): 22 1/2 × 30 in. (57.2 × 76.2 cm)
H x W (Backing): 28 × 38 in. (71.1 × 96.5 cm)
Title
Title • Unite
Record ID
nmaahc_2008.13
Museum
NMAAHC
Title Sort
UNITE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Uphold Your Men

Date: Date

Caption

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NMAAHC

AfriCOBRA 1: Ten in Search of a Nation

Date: Date

Description

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NMAAHC

Unite

Date: Date

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NMAAHC

José Williams Playing the Sax

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.