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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Red cap with self-fabric bow

Date
1989
Caption
Patrick Kelly, a young, gay African American designer from Missisippi, became an international sensation in Paris during the mid-1980s for his bold and often whimsical designs. As the first American and person of color to be admitted as a member of the Chambre syndicale du prêt-à-porter, he broke barriers in the French fashion industry. Drawing on his childhood in the American South as inspiration, Kelly repurposed racial imagery and integrated elements of Black joy through bright colors, bows, and an extravagant use of buttons. Though his career lasted only from 1985 to 1990 before his death at 35 from AIDS complications, Kelly’s influence was profound—elevating African American designers and creating space for others, like Kerby Jean-Raymond, to playfully explore racial themes in fashion.
Description
A red cap with a self-fabric bow designed by Patrick Kelly for his Fall/Winter 1989 collection. The hat is made of napped red synthetic and has a flat short crown. A self-fabric band wraps around the side of the crown and ties at the front into an askew bow offset to the proper left side. The band is attached to the side of the crown with tacking stitches. The cap has a short, rounded bill. The hat's interior is stiffened with synthetic interfacing. The base of the crown is folded and hand sewn to the interior. A black synthetic petersham ribbon is machine sewn to the base of the crown at the interior. A woven fabric label is sewn to the center back interior of the hat along the petersham band. The label reads [jean barthet / MADE IN FRANCE / PARIS].
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National Museum of African American History and Culture Collection
Classification
Clothing - Fashion and Historical
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bjorn G. Amelan and William T. Jones
Data Source
National Museum of African American History and Culture
Object number
2018.9.12
Type
hats
Restrictions & Rights
© Estate of Patrick Kelly
Permission required for use. Proper usage is the responsibility of the user.
Medium
synthetic, synthetic interfacing, and synthetic petersham ribbon
Dimensions
H x W x D x C: 2 7/8 × 6 1/8 × 10 5/8 × 19 1/2 in. (7.3 × 15.5 × 27 × 49.5 cm)
Title
Object Name • Red cap with self-fabric bow
Record ID
nmaahc_2018.9.12
Museum
NMAAHC
Title Sort
RED CAP WITH SELF-FABRIC BOW
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1980s
Place
Geo Location
City • Paris • Country • France • Continent • Europe
Type
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Vida de J. J. Dessalines, gefe de los negros de Santo Domingo; con notas muy circunstanciadas sobre el origen, cara´cter y atrocidades de los principales gefes de aquellos rebeldes desde el principio de la insurreccion en 1791

Date: Date

Description

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NMAAHC

Poster for a Lena Horne performance at the Olympia Music Hall

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NMAAHC

Cover art drawing with overlays for an issue of Icon owned by Dwayne McDuffie

Date: Date

Description

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NMAAHC

Red cap with self-fabric bow

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.