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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Irresistible

Date
1968
Written by
Description
A 33 1/3 rpm record album titled, Irresistible, by Tammi Terrell with vinyl disc (a) and album cover (b).
The vinyl record has a blue and white circular label at the center with silver and white text and a graphic. At the top of the label a white and blue map of Michigan with a red, five pointed star over Detroit. Overlaid is red, yellow, and green printed text that reads [MOTOWN]. The rest of the label is blue. Just above the center hole is the album title and artist’s name printed in smaller text that reads [“IRRESISTABLE TAMMI TERRELL”]. To the left of the center hole is the side number and copyright information. To the right of the center hole is the catalog number: [HS-1566-2 / W4RS-6358 / STEREO]. Below the center hole is a numbered list of tracks with credits. The tracks on Side 1 include: [I CAN'T BELIEVE YOU LOVE ME], [THAT'S WHAT BOYS ARE MADE FOR], [COME ON AND SEE ME], [WHAT A GOOD MAN HE IS], [TEARS AT THE END OF A LOVE AFFAIR], and [THIS OLD HEART OF MINE (IS WEAK FOR YOU)]. Side 2 is identical to Side 1. The tracks on Side 2 include: [HE'S THE ONE I LOVE], [CAN'T STOP NOW (LOVE IS CALLING)], [JUST TOO MUCH TO HOPE FOR], [HOLD ME OH MY DARLING], and [I CAN'T GO ON WITHOUT YOU].
The front of the album jacket features a color photograph of Tammi Terrell, in vibrant orange dress, tights, and shoes, seated cross legged on a gray floor against a black background. The album title is printed in red and yellow text to the right of Terrel and reads [Irresistible / Tammi / Terrell]. Printed in orange text below are featured track titles. Below is the logo for Motown Records, printed in white. In the top left corner is the black-and-white text [STEREO] above the catalog number, [MS652]. The back of the jacket is white with black text and a black-and-white photograph of Terrell on the left side of the jacket. Next to the portrait is the album title and beneath the portrait is the track listing. Below are three paragraphs of liner notes written by Ed Ochs. In the bottom right corner is the Motown Records logo, the copyright, and printing information. In the top right corner is the catalog number, [MOTOWN 652] printed in black text and a black triangle with small, white stencil font text that reads [THE / MOTOWN ® / SOUND]
See more items in
National Museum of African American History and Culture Collection
Classification
Record Albums
Exhibition
Musical Crossroads
On View
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 053
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.172.43ab
Type
record covers
long-playing records
Restrictions & Rights
© Motown Record Corp.
Permission required for use. Proper usage is the responsibility of the user.
Medium
vinyl with ink on paper and cardboard
Dimensions
Diameter (a. vinyl disc): 11 7/8 in. (30.2 cm)
H x W (b. cardboard jacket): 12 3/8 × 12 3/8 in. (31.4 × 31.4 cm)
Title
Title • Irresistible
Record ID
nmaahc_2015.172.43ab
Museum
NMAAHC
Title Sort
IRRESISTIBLE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s
Exhibition
NMAAHC • Musical Crossroads
Geo Location
City • Washington • State • District of Columbia • Country • United States • Continent • North and Central America • City • Detroit • County • Wayne County • State • Michigan
On Physical Exhibit
Yes
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Elder Charles Beck (1930-1939)

Date: Date

Description

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NMAAHC

Johnny Dankworth pencil from the travel wardrobe trunk used by Cab Calloway

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NMAAHC

Business contract between Club Harlem and Johnny Lynch

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NMAAHC

Irresistible

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.