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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Slow Fade to Black: Hattie McDaniel

Date
2009-2010
Description
Color inkjet print (a) of Hattie McDaniel in a green frame (b).
The photograph (a) is intentionally out of focus. The figure of Hattie McDaniel is dressed in the black and white house servant's uniform of her character "Mammy" from "Gone with the Wind." She is wearing a white apron and white scarf tied over her hair. McDaniel has a white undershirt visible at the wrists and collar under a black long-sleeve top. McDaniel is facing to the left of the camera with her hands in front of her body. There is a house interior visible in the background. The original image shows details of McDaniel's "Mammy" including a brooch on the white collar and a row of buttons down the middle of her black blouse. Fully visible in the original, Vivien Leigh's "Scarlett O'Hara" is mostly cropped out of this photograph. Vivien Leigh's loose, dark hair is visible on the left side of the out of focus image. McDaniel's outstreched hands are tightenting the laces on Leigh's corset.
The photograph is inset in the frame (b). The back borders of the frame are raised and have paper tape around the edges. At the top is a sticker with the TransArt International shipping label. The center portion of the frame has two white adhesive labels, one with information about the artist, Carrie Mae Weems. The other has exhibit details and the address for the Jack Shainman Gallery. Below this tag is information about the frame with cleaning instructions marked in black pen. There is a corded metal wire screwed into the frame to hang the photograph.
See more items in
National Museum of African American History and Culture Collection
Portfolio/Series
Slow Fade to Black
Classification
Visual Arts
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Jo Carole and Ronald S. Lauder in honor of Richard and Laura Parsons, Colin and Alma Powell, and Darren Walker
Data Source
National Museum of African American History and Culture
Object number
2017.20.8ab
Type
portraits
inkjet prints
Restrictions & Rights
© Carrie Mae Weems
Permission required for use. Proper usage is the responsibility of the user.
Medium
inkjet print (a): ink on photographic paper;
frame (b): acrylic, wood, wire and metal
Dimensions
H x W (Image): 11 3/4 × 8 3/4 in. (29.8 × 22.2 cm)
H x W x D (Frame): 12 7/8 × 9 7/8 × 1 1/2 in. (32.7 × 25.1 × 3.8 cm)
Title
Title • Slow Fade to Black: Hattie McDaniel
Record ID
nmaahc_2017.20.8ab
Museum
NMAAHC
Title Sort
SLOW FADE TO BLACK: HATTIE MCDANIEL
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2010s • 2000s
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Slow Fade to Black: Hattie McDaniel

Date: Date

Description

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NMAAHC

Headshot of Hattie McDaniel as "Mammy" from Gone with the Wind

Date: Date

Description

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NMAAHC

Outdoor Smith Johnson family portrait

Date: Date

Description

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NMAAHC

Outdoor Smith Johnson family portrait

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker