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THE JOURNEY THROUGH TIME

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Events

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Costume worn by Maxine Jones in “My Lovin’ (You’re Never Gonna Get It)” video

Date
1992
Designed by
Description
A costume worn by Maxine Jones of En Vogue for the music video “My Lovin’ (You’re Never Gonna Get It)” (1992) comprised of a dress (.1), a bra (.2), a pair of bikini briefs (.3), and a pair of shoes (.4ab).
Dress (.1): Mini-length shift dress made of small (1/4-inch) interlocking silver metal octagonal discs. The dress is sleeveless, with a v-neck front and back bodice. The dress is not lined.
Bra (.2): Metallic silver bra in an underwire demi cup style with adjustable straps and an adjustable hook-and-eye back closure. The bra is not lined.
Bikini briefs (.3): Metallic silver bikini style briefs. The briefs are not lined.
Shoes (.4ab): Pair of metallic silver open-toed high-heeled shoes. The vamp has a crisscrossing swirled pattern over the top of the front of the foot. A t-strap style closure connects the vamp to the heel cap. The straps close with a metal snap and have a decorative silver buckle. The curved heels are a dark tan and have a black rubber bottom. A cream non-slip rubber pad is adhered to the front half of the soles. Thin foam padding is adhered to the insoles of the toes.
See more items in
National Museum of African American History and Culture Collection
Classification
Clothing - Costume
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of En Vogue
Data Source
National Museum of African American History and Culture
Object number
2014.189.9.1-.4ab
Type
bikinis (underwear)
brassieres
pumps (shoes)
sheath dresses
Restrictions & Rights
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
Medium
Dress: aluminum mesh
Bra: Polyester fiber, polyurethane and metal (underwire)
Bikini briefs: nylon and spandex
Shoes: leather, plastic, rubber and metal
Dimensions
H x W (.1, Dress, flat): 29 × 19 1/2 in. (73.7 × 49.5 cm)
H x W x D (.1, dress, on form): 28 × 12 3/4 × 10 in. (71.1 × 32.4 × 25.4 cm)
H x W (.2, Bra, flat): 10 1/4 × 14 in. (26 × 35.6 cm)
H x W x D (.2, Bra, on form): 9 1/4 × 10 × 9 in. (23.5 × 25.4 × 22.9 cm)
H x W (.3, Bikini briefs, flat): 8 × 10 3/4 in. (20.3 × 27.3 cm)
H x W x D (.3, Bikini briefs, on form): 8 1/2 × 12 1/2 × 8 in. (21.6 × 31.8 × 20.3 cm)
H x W x D (.4a, Shoe (left)): 5 1/4 × 3 1/4 × 9 3/4 in. (13.3 × 8.3 × 24.8 cm)
H x W x D (.4b, Shoe (right)): 5 1/4 × 3 1/8 × 9 3/4 in. (13.3 × 7.9 × 24.8 cm)
Title
Object Name • Costume worn by Maxine Jones in “My Lovin’ (You’re Never Gonna Get It)” video
Record ID
nmaahc_2014.189.9.1-.4ab
Museum
NMAAHC
Title Sort
COSTUME WORN BY MAXINE JONES IN “MY LOVIN’ (YOU’RE NEVER GONNA GET IT)” VIDEO
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1990s
Geo Location
City • Oakland • County • Alameda County • State • California • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Costume worn by Maxine Jones in "Giving Him Something He Can Feel" video

Date: Date

Description

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NMAAHC

Costume worn by Maxine Jones in “My Lovin’ (You’re Never Gonna Get It)” video

Date: Date

Description

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NMAAHC

A letter from Loonis McGlohon to Maxine Sullivan

Date: Date

Description

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NMAAHC

Envelope sent from William Scott to Maxine Sullivan

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.