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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Film clips from Jazz Ball

Date
1956
Description
Film clips from the musical documentary Jazz Ball. It consists of a single reel of positive, black-and-white, 16mm acetate film with bilateral variable-area optical sound. It consists of archival footage of numerous jazz and vaudeville performers and opens with actress Betty Hutton singing and dancing to "The Dipsy Doodle" as Vincent Lopez's band plays behind her. In another scene, Isham Jones and his band performs "Second Hungarian Rhapsody." Other acts in the documentary include Henry Busse performing "Hot Lips," couples dance in a ballroom as he and his band performs; Bob Chester and his band performing "Boogie Woogie;" Hal Kemp and His Orchestra performing "Swamp Fire;" Johnnie 'Scat' Davis singing "Praise the Lord and Pass the Ammunition;" Gene Krupa and his band performing "Jungle Madness" some of his bandmates are Charlie Ventura and Roy Eldridge; singer Peggy Lee singing "It's a Good Day;" Lawrence Welk performing "Ain't She Sweet;" and Buddy Rich and Artie Shaw performing. In the final clip of the compilation, The Will Mastin Trio performs "Boogie Woogie Piggy." As they perform, the narrator comments that, "This rendition of 'Boogie Woogie Piggie' marks Sammy Davis Jr.'s debut some years ago," before the closing credits role.
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National Museum of African American History and Culture Collection
Classification
Time-based Media - Moving Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Anonymous Gift in memory of Ernest (Ernie) R. Smith, Jazz Historian
Data Source
National Museum of African American History and Culture
Object number
2015.275.38.1a
Type
sound films
black-and-white films (visual works)
16mm (photographic film size)
Restrictions & Rights
© Republic Pictures Corporation
Permission required for use. Proper usage is the responsibility of the user.
Medium
acetate film
Dimensions
Duration (digital file): 00:26:22
Physical extent (film): 1000 ft
Title
Object Name • Film clips from Jazz Ball
Record ID
nmaahc_2015.275.38.1a
Museum
NMAAHC
Title Sort
FILM CLIPS FROM JAZZ BALL
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1950s
Geo Location
Country • United States • Continent • North and Central America
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Rev. Dr. Joseph Echols Lowery, Congressman John Conyers, Rev. Dr. Ralph David Abernathy, Mrs. Rosa Parks and Mr. Robinson, chatting

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NMAAHC

Photograph of the assassination of Martin Luther King, Jr.

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NMAAHC

Testament of pay for Pvt. Edward Carter

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NMAAHC

Film clips from Jazz Ball

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Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.