q2K BHP
Black History Portal
THE BHP WIRE —
HIDDEN TRUTHS
What's New!
THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

✊🏾

Civil Rights

Movements, leaders, victories and the continuing fight for equality.

⚙️

Black Inventors

Innovation, patents, science, technology and world-changing contributions.

🏆

Sports

Pioneers, champions, Negro Leagues, records, activism and excellence.

♟️

People

Meet the people whose lives, choices and achievements shaped the journey.

📍

Places

Black towns, communities, institutions and places where history happened.

📜

Events

Moments that changed communities, movements, institutions and the nation.

Enter a person, place, event, or topic.
MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

MORE →
BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

MORE →
BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
← BACK TO RESULTS
NMAAHC

Photograph of Chickie Collins with two unidentified female performers in costume

Date
1933-1942
Photograph by
Description
A silver gelatin print depicting a black-and-white image of Chickie Collins with two unidentified female performers in costume. The woman on the far left, Chickie Collins, is depicted standing with her proper left arm raised and her proper right hand at her waist, grasping the raised, proper right wrist of the woman lying on the ground in front of her. Her head is tilted towards her proper right shoulder and she is looking upwards. She is wearing a wearing light toned, Grecian-style costume, secured at her proper right shoulder, leaving the other shoulder bare. The woman lying on the ground with her proper left arm extended towards, and clasped by, the woman standing behind her, is reclining on her proper right elbow. She is looking towards the right edge of the photograph. She is wearing a garment that leaves both shoulders bare. The third woman, depicted on the far right, is kneeling next to the woman standing on the far left. She is wearing a light toned, Grecian-style costume, secured at the proper left shoulder, leaving the other shoulder bare. There are two black photo corners securing the photograph to a black cardboard backing. There are no inscriptions on the front or back of the photograph.
See more items in
National Museum of African American History and Culture Collection
Collection title
The Laura Cathrell Show-Down Magazine Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2013.46.25.250
Type
gelatin silver prints
portraits
Restrictions & Rights
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper
Dimensions
H x W (Image and sheet): 4 1/16 × 2 3/4 in. (10.3 × 7 cm)
Title
Object Name • Photograph of Chickie Collins with two unidentified female performers in costume
Record ID
nmaahc_2013.46.25.250
Museum
NMAAHC
Title Sort
PHOTOGRAPH OF CHICKIE COLLINS WITH TWO UNIDENTIFIED FEMALE PERFORMERS IN COSTUME
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1940s • 1930s
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

No preview image
NMAAHC

Eldridge Cleaver and His Wife, Kathleen, in Exile

Date: Date

Description

MORE →
No preview image
NMAAHC

Photograph of Chickie Collins and an unidentified woman

Date: Date

Description

MORE →
No preview image
NMAAHC

Photograph of a man, Julian, a woman, Chickie Collins, and two men

Date: Date

Description

MORE →
No preview image
NMAAHC

Photograph of Chickie Collins with two unidentified female performers in costume

Date: Date

Description

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

MORE →
TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.