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THE JOURNEY THROUGH TIME

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Events

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Figure (abstract)

Date
1952
Description
A mimeograph reproduction of Figure (abstract), by Keith Simons for the Committee for the Negro in the Arts, Art Workshop Folio. Printed in black ink on white paper, it is a reproduction of a surrealist charcoal drawing depicting an abstract, anthropomorphic figure. The figure has a torso, limbs, and a head that resemble stacked rocks. The largest rock shapes form the figures’ hips, chest, and head while the top of the figures thighs are smaller rocks, as are the shoulder, arm, and hand. The figure appears to be in profile with their body, facing the right edge of the drawing and their head turned towards the viewer. The rock shape that forms the head has closed eyes, sharp cheekbones, thin lips, and a pointed chin. A smaller rock above the head gives the appearance of hair pulled into a top-knot. The figure’s proper right arm, drawn as if constructed of several small rocks, is raised above the figure's head. The rock shapes are shaded with hatch marks. The artist’s initials and date, [KS / 1952], is written near the center left edge. The verso is blank.
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National Museum of African American History and Culture Collection
Portfolio/Series
Committee for the Negro in the Arts, Art Workshop Folio
Classification
Visual Arts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2023.117.2.13
Type
drawings
mimeograph copies
Restrictions & Rights
© Keith Simons
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink on paper (fiber product)
Dimensions
H x W x D: 14 1/16 × 8 9/16 × 1/16 in. (35.7 × 21.7 × 0.1 cm)
Title
Title • Figure (abstract)
Record ID
nmaahc_2023.117.2.13
Museum
NMAAHC
Title Sort
FIGURE (ABSTRACT)
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1950s
Geo Location
City • New York City • State • New York • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Keith Shocklee at Hofstra U.

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NMAAHC

Keith Shocklee on his Magnificent Music Machine, Hofstra U.

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NMAAHC

Figure (abstract)

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NMAAHC

Foreword by Langston Hughes for C.N.A. Art Workshop Folio

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.