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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Blue dress with bows designed by Patrick Kelly

Date
1985
Caption
Patrick Kelly, a young, gay African American designer from Missisippi, became an international sensation in Paris during the mid-1980s for his bold and often whimsical designs. As the first American and person of color to be admitted as a member of the Chambre syndicale du prêt-à-porter, he broke barriers in the French fashion industry. Drawing on his childhood in the American South as inspiration, Kelly repurposed racial imagery and integrated elements of Black joy through bright colors, bows, and an extravagant use of buttons. Though his career lasted only from 1985 to 1990 before his death at 35 from AIDS complications, Kelly’s influence was profound—elevating African American designers and creating space for others, like Kerby Jean-Raymond, to playfully explore racial themes in fashion.
This dress was a part of a collection of tube dresses that Patrick Kelly designed in 1985 and were featured in French Elle. Kelly sewed these dresses himself to accommodate a special order from Bergdorf Goodman.
Description
A blue full-length dress with self-fabric bows designed by Patrick Kelly. The dress is made of blue rib knit wool synthetic blend. It is sleeveless, has a round neckline, and is form fitting. Seam allowance and the raw edges of the shoulder seams are seen along the exterior. The neckline, armholes, and bottom of the dress are all left raw and unstitched. Nine self-fabric bows are tacked along the center front of the dress. The open back has a low scoop neckline. The dress has no side seams and no label.
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National Museum of African American History and Culture Collection
Classification
Clothing - Fashion and Historical
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bjorn G. Amelan and William T. Jones
Data Source
National Museum of African American History and Culture
Object number
2018.9.17
Type
dresses
sheath dresses
Restrictions & Rights
© Estate of Patrick Kelly
Permission required for use. Proper usage is the responsibility of the user.
Medium
wool synthetic blend
Dimensions
Length (shoulder to hem): 42 1/2 in. (108 cm)
Width (shoulder to shoulder): 11 1/2 in. (29.2 cm)
Waist (flat): 11 1/2 in. (29.2 cm)
Title
Object Name • Blue dress with bows designed by Patrick Kelly
Record ID
nmaahc_2018.9.17
Museum
NMAAHC
Title Sort
BLUE DRESS WITH BOWS DESIGNED BY PATRICK KELLY
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1980s
Place
Geo Location
City • Paris • Country • France • Continent • Europe
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Black velvet gloves with ostrich feathers designed by Patrick Kelly

Date: Date

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NMAAHC

Red and black coat designed by Patrick Kelly

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NMAAHC

Soldier's Escutcheon print owned by James A. Kelly, 54th MA infantry

Date: Date

Description

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NMAAHC

Blue dress with bows designed by Patrick Kelly

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.