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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Papier-mâché minstrel face mask from Spell #7

Date
1978
Created by
Caption
The cast members wore minstrel masks like this one for the opening sequence of Ntozake Shange’s choreopoem “Spell No. 7,” which explores the frustrations of Black performers contending with current and historical racism in the theater. A larger version of the mask provides the stage backdrop for the entire production. This mask is from the initial 1978 production at Crossroads Theatre in New Jersey. The work was later staged by The Public Theater in 1979, first as a free workshop as part of the New York Shakespeare Festival, with a revised and partially recast version appearing later on the Anspacher Stage. It was later produced by other companies in Philadelphia, Washington, DC, and Atlanta.
Description
A papier-mâché face mask from Spell #7. The oval mask is covered in shiny black paint, with exaggerated facial features highlighted with white paint around the eyes and on the lips, evoking blackface minstrelsy. The paint is chipped and scuffed in some areas. The black paint continues around the edge of the mask’s interior, the rest of which is off-white. A black elastic band tied around the outer edge of each eye hole. There is an inscription [Carol R.] in black ink with the signature [Ntozake Shange] in blue ink in the forehead area of the interior.
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National Museum of African American History and Culture Collection
Classification
Props and Set Design
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Ntozake Shange
Data Source
National Museum of African American History and Culture
Object number
2016.131.1
Type
masks (costume)
Restrictions & Rights
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
papier-mâché with paint and ink
Dimensions
H x W x D: 10 1/2 × 7 × 2 1/4 in. (26.7 × 17.8 × 5.7 cm)
Title
Object Name • Papier-mâché minstrel face mask from Spell #7
Record ID
nmaahc_2016.131.1
Museum
NMAAHC
Title Sort
PAPIER-MÂCHÉ MINSTREL FACE MASK FROM SPELL #7
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Type
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Black Stars, Vol. 28, No. 4

Date: Date

Description

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NMAAHC

Playbill for The Love Space Demands at the Crossroads Theatre Company

Date: Date

Description

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NMAAHC

Theatre program for Blues for an Alabama Sky

Date: Date

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NMAAHC

Papier-mâché minstrel face mask from Spell #7

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.