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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

The Subject Is Jazz: Early Jazz

Date
1958
Description
An episode entitled "Early Jazz," from the television anthology called The Subject is Jazz. It consists of a single reel of black-and-white, 16 mm acetate film with bilateral variable-area optical sound. The episode opens with title cards that read [The / National Broadcasting / Company / in cooperation with / The / Educational Television / and Radio Center / presents / the subject / is / jazz / With / Gilbert / Seldes / Early / Jazz]. An announcer speaks as the title cards appear, while a jazz band performs in the background. Host Gilbert Seldes then appears on screen and uses an analogy to compare jazz music to the Mississippi River. He then describes the sources/elements of jazz: drums from Africa, marching band music, hymns, British folk songs, and other miscellaneous sounds. Subsequently, he introduces Wilbur de Paris and his band, and the group performs "Muskrat Ramble."
Host Seldes then returns to the screen and discusses the development of jazz music in New Orleans. Some of the other topics/scenes in the episode include a New Orleans band playing hymns in a procession before and after a funeral; the musical instruments used in jazz (as he describes each musical instrument and the role it plays in the band, a band member plays that instrument in the background until all the instruments start playing); the proliferation of jazz to other cities in the United States. At one point, Wilbur de Paris then joins Gilbert Seldes on set and describes the development of jazz ensembles (the band then performs "Frankie and Johnny" in a New Orleans jazz style). Seldes then asks Wilbur de Paris to explain the difference between New Orleans jazz and Dixieland jazz (the band performs "Panama Rag" to demonstrate Dixieland music); de Paris is also asked to explain how his "new" New Orleans jazz differs from traditional New Orleans jazz. The episode ends with Gilbert Seldes describing the next episode in the series before the closing credits role.
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National Museum of African American History and Culture Collection
Portfolio/Series
The Subject Is Jazz
Classification
Time-based Media - Moving Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Anonymous Gift in memory of Ernest (Ernie) R. Smith, Jazz Historian
Data Source
National Museum of African American History and Culture
Object number
2015.275.42.1a
Type
sound films
black-and-white films (visual works)
16mm (photographic film size)
Restrictions & Rights
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
acetate film
Dimensions
Duration (digital file): 00:30:11
Physical extent (film): 1200 ft
Title
Title • The Subject Is Jazz: Early Jazz
Record ID
nmaahc_2015.275.42.1a
Museum
NMAAHC
Title Sort
THE SUBJECT IS JAZZ: EARLY JAZZ
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1950s
Geo Location
City • New Orleans • County • Orleans Parish • State • Louisiana • Country • United States • Continent • North and Central America
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Sweet Emma and Her Preservation Hall Jazz Band

Date: Date

Description

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NMAAHC

Film clips from the documentary American Music - From Folk to Jazz and Pop

Date: Date

Description

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NMAAHC

History of Jazz with Willis Conover

Date: Date

Description

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NMAAHC

The Subject Is Jazz: Early Jazz

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.