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THE JOURNEY THROUGH TIME

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Explore the people, places, events, achievements, struggles and stories that shaped our journey.

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Events

Moments that changed communities, movements, institutions and the nation.

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Print of Cab Calloway and dancers performing

Date
1930s
Photograph by
Description
A black and white photograph of Cab Calloway performing with dancers around him. Calloway is pictured in the center of the image, pictured from the waist up at an angle from the bottom left corner. He wears a checked tuxedo with tail coat and white bowtie. His mouth is open as if singing and he is glancing down past his proper right shoulder. In the foreground, the hands, neck, chin, and torso of a dancer in a partial backbend is visible. Behind her, in the background, another dancer is visible, but out of focus. She wears a striped costume with white bodice and stands with one arm raised above her head, bending back slightly from the waist. Behind Calloway, only the legs of another dancer are visible. She is atop an elevated platform, behind and facing away from Calloway, standing upon her proper left foot with her proper right bent at the knee and her dark colored high heeled shoe visible in the center of the image. There are no marks or inscriptions, front or back.
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National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Movement
Harlem Renaissance (New Negro Movement)
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Cabella Calloway Langsam
Data Source
National Museum of African American History and Culture
Object number
2013.237.16
Type
gelatin silver prints
portraits
Restrictions & Rights
Public domain
Proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper
Dimensions
H x W (Image): 9 7/16 × 7 7/16 in. (24 × 18.9 cm)
H x W (Sheet): 10 1/8 × 8 in. (25.7 × 20.3 cm)
Title
Object Name • Print of Cab Calloway and dancers performing
Record ID
nmaahc_2013.237.16
Museum
NMAAHC
Title Sort
PRINT OF CAB CALLOWAY AND DANCERS PERFORMING
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1930s
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Print of Cab Calloway and dancers performing

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NMAAHC

Crank toy in the form of two minstrel male dancers

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NMAAHC

Black pants worn on Soul Train by dancer Jermaine Stewart

Date: Date

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NMAAHC

Pointe shoe and tights worn by Ingrid Silva of Dance Theatre of Harlem

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.