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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 2 strongest Black History matches.
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NMAAHC

Photograph of W. A. Neely's blacksmith shop in Laurinburg, North Carolina

Date
January 1, 1910
Photograph by
Description
A black-and-white photograph of W. A. Neely's blacksmith shop. The photograph depicts two clapboard structures. On the right is a large, two story, gable roof, house-shaped building with horizontal clapboards. The building is shown from the broad side with four twelve pane windows for each story and an entryway to the right. On the far right side of the building is a set of wooden stairs with a railing leading up to a second story door. The building has a single chimney at the center of the wood shingled roof. At the bottom of the exterior steps is a wooden hitching post with two large, wooden wagon wheels resting against it. The smaller shed-like building on the left is a one story, gable roof building with vertical clapboards and a covered porch. The building has a centrally oriented, twelve pane window on the side and another at the back. Hanging over the side window are six pieces of square white material, affixed roughly in a circle. Standing mostly in front of the larger building is a group of fifteen men and three women. Most of the men are standing among a number of horse drawn buggies parked in front of the building. The men are mostly wearing suits with derby hats, flat caps, and Stetson hats, while one man at the center is wearing overalls, a long sleeve shirt, and a work cap. Two of the women are seated in a buggy at the center of the image while the third woman stands to the right of them. The two women seated in the buggy are dressed in Edwardian style day dresses and wide band picture hats. The woman on the right is wearing a light tone, plain, long sleeve dress with the sleeves rolled up. In front of the parked buggies is a dirt road lined with a ditch. The ditch is covered with wooden boards just in front of the two buildings, providing a narrow bridge between the road and the dirt packed area where the buggies are parked. The side of the ditch is littered with debris, wood scrapes, cans, paper, a crate, and a half buried barrel. In the left foreground is the base of a utility pole strung with cables that run along the top left corner of the image. Visible in the background on the left are other house-shaped buildings, trees, and two utility poles. The broadside of a white church is visible on the left. The photograph has an even, thin, white border and is mounted to a brownish-gray matboard backing. Faded brown handwritten text at the bottom center and right reads [W.A. Neely Shop, / Laurinburg, N.C. Jan 1, ‘10]. There are dark tide marks on the left, right, and bottom edges and a surface loss in the top left corner. The back of the image is plain.
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National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of James M. Baxter
Data Source
National Museum of African American History and Culture
Object number
2021.13.23
Type
mounts (framing and mounting equipment)
gelatin silver prints
photographs
Restrictions & Rights
Public domain
Proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper on cardboard
Dimensions
H x W (Mounted): 7 15/16 × 9 15/16 in. (20.2 × 25.3 cm)
H x W (Image): 4 5/8 × 6 11/16 in. (11.8 × 17 cm)
Title
Object Name • Photograph of W. A. Neely's blacksmith shop in Laurinburg, North Carolina
Record ID
nmaahc_2021.13.23
Museum
NMAAHC
Title Sort
PHOTOGRAPH OF W. A. NEELY'S BLACKSMITH SHOP IN LAURINBURG, NORTH CAROLINA
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1910s
Geo Location
City • Laurinburg • County • Scotland County • State • North Carolina • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Photograph of W. A. Neely's blacksmith shop in Laurinburg, North Carolina

Date: Date

Description

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NMAAHC

Picture postcard of a North Carolina Convict Camp

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.