q2K BHP
Black History Portal
THE BHP WIRE —
HIDDEN TRUTHS
What's New!
THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

✊🏾

Civil Rights

Movements, leaders, victories and the continuing fight for equality.

⚙️

Black Inventors

Innovation, patents, science, technology and world-changing contributions.

🏆

Sports

Pioneers, champions, Negro Leagues, records, activism and excellence.

♟️

People

Meet the people whose lives, choices and achievements shaped the journey.

📍

Places

Black towns, communities, institutions and places where history happened.

📜

Events

Moments that changed communities, movements, institutions and the nation.

Enter a person, place, event, or topic.
MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

MORE →
BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

MORE →
BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
← BACK TO RESULTS
NMAAHC

Lavender cocktail dress and crushed velvet coat by Tracy Reese

Date
2005
Description
Lavender cocktail dress (.1) and crushed velvet coat (.2) by Tracy Reese. Both garments are in the style of silhouettes popular in 1920s flapper culture.
The dress (.1) is sleeveless with a scooped neckline, a dropped waist, and a ruffled mini skirt. It is made from lavender silk chiffon and is heavily embellished with copper colored sequins, brass colored seed beads, and purple and metallic gold woven tape. Lines of these embellishment materials are sewn around the neck opening and on the straps, in three (3) columns on the front bodice and three (3) columns on the back bodice, and in rows around the ruffled skirt. The hemline of the skirt includes one of the embellished rows. In between the rows on the skirt there is a repeating design of half-ovals using these materials, with the upper one facing downward and the lower one facing upward. A dark brown satin ribbon is sewn around the dress at the dropped waist to create a waist band with a pre-tied bow with long tails at the proper left front side. The dress closes at the center back with a zipper and one (1) hook-and-eye. The bodice is lined in light weight silk twill. The skirt has an attached petticoat made from purple tulle. There are no labels.
The coat (.2) is made from lavender crushed velvet with a wrap front, a ruffled collar, and straight full-length sleeves. It falls mid-calf. The front of the coat wraps to close, with the right side crossing over the left side. Each top front side is cut so that a thinner tab of the fabric extends beyond the edge of the full front, with a purple fabric-cover hook at the end. The hook attaches to the loop on the opposite side, the loop on the proper right side is at the interior right shoulder, while the hoop on the proper left side is at the exterior left shoulder underneath the ruffled collar. The collar is formed from a round piece of fabric faced in the velvet and lined on the underside with purple twill fabric. Several circles of the velvet fabric are gathered at the center and stitched to the collar, with the edges also tacked to the collar. The circles grow progressively larger toward the center back of the collar. The coat is fully lined in the same purple twill that is used to line the collar. A fabric label is sewn at the interior center back neck with an embroidered logo of a pale blue silhouette of a chandelier inside a white oval on a pale blue ground, with text in gold over the chandelier reading "Tracy Reese / NEW YORK".
See more items in
National Museum of African American History and Culture Collection
Collection title
Ebony Fashion Fair Collection
Classification
Clothing - Fashion and Historical
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.141.42.1-.2
Type
coats
dresses
Restrictions & Rights
No known copyright restrictions
Proper usage is the responsibility of the user.
Medium
dress: silk chiffon, tulle, woven tape, sequins, beads, and satin ribbon;
coat: velvet and twill
Dimensions
H x W (.1 flat): 36 3/4 × 29 in. (93.3 × 73.7 cm)
H x W (.2 flat): 50 × 21 in. (127 × 53.3 cm)
Title
Object Name • Lavender cocktail dress and crushed velvet coat by Tracy Reese
Record ID
nmaahc_2015.141.42.1-.2
Museum
NMAAHC
Title Sort
LAVENDER COCKTAIL DRESS AND CRUSHED VELVET COAT BY TRACY REESE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2000s
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

White and lavender gauze floral curtains

Date: Date

Description

MORE →
NMAAHC

Lavender tweed skirt designed by Arthur McGee

Date: Date

Description

MORE →
No preview image
NMAAHC

Light blue knit dress and jacket with piano brooch

Date: Date

Description

MORE →
No preview image
NMAAHC

Lavender cocktail dress and crushed velvet coat by Tracy Reese

Date: Date

Description

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

MORE →
TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker