q2K BHP
Black History Portal
THE BHP WIRE —
HIDDEN TRUTHS
What's New!
THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

✊🏾

Civil Rights

Movements, leaders, victories and the continuing fight for equality.

⚙️

Black Inventors

Innovation, patents, science, technology and world-changing contributions.

🏆

Sports

Pioneers, champions, Negro Leagues, records, activism and excellence.

♟️

People

Meet the people whose lives, choices and achievements shaped the journey.

📍

Places

Black towns, communities, institutions and places where history happened.

📜

Events

Moments that changed communities, movements, institutions and the nation.

Enter a person, place, event, or topic.
MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

MORE →
BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

MORE →
BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
← BACK TO RESULTS
NMAAHC

Le Tumulte Noir: Portfolio box

Date
January 1927
Printed by
Caption
In 1927, French illustrator and graphic designer Paul Colin released a portfolio of lithographs titled Le Tumulte Noir, or The Black Craze, capturing the 1920s Parisian fascination with African American music and entertainers and African art. Through a series of 42 lithographs, Colin caricatures popular Parisian entertainers and the performers of the 1925 Le Revue Nègre, which introduced Paris to Josphine Baker. Bakers’ sensationalism inspired much of Colin’s work and the two collaborated together for many years making them lifelong friends. The caricatures in Le Tumulte Noir are often provocative, with white European entertainers portrayed with overly dark skin and Black performers drawn in stereotypical depictions with exaggerated racial features.
This copy of Le Tumulte Noir belonged to André Leon Talley, the iconic American fashion figure. Talley received this portfolio from Karl Lagerfeld, coinciding with the Chanel designer’s creation of the striking navy cape Talley wore for the 2007 Met Gala.
Description
Cloth clamshell portfolio box for “Le Tumulte Noir” by Paul Colin. The beige colored box is shaped and opens like a book. Three side edges, top, right, and bottom, are solid red and the “spine” is beige with a red box in at the top with black text “Le Tumulte Noir, Paul Colin.” There is no text on the front or back cover.
Statement
Objects depicting racist and/or stereotypical imagery or language may be offensive and disturbing, but the NMAAHC aims to include them in the Collection to present and preserve the historical context in which they were created and used. Objects of this type provide an important historical record from which to study and evaluate racism.
See more items in
National Museum of African American History and Culture Collection
Portfolio/Series
Le Tumulte Noir
Classification
Visual Arts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2024.85.4.1
Type
portfolios (groups of works)
portfolios (containers)
Restrictions & Rights
No known copyright restrictions
Proper usage is the responsibility of the user.
Medium
cloth on cardboard
Dimensions
H x W x D (closed): 20 1/2 × 13 3/4 × 7/8 in. (52.1 × 34.9 × 2.2 cm)
H x W x D (opened): 20 1/2 × 28 3/8 × 7/8 in. (52.1 × 72.1 × 2.2 cm)
Title
Title • Le Tumulte Noir: Portfolio box
Record ID
nmaahc_2024.85.4.1
Museum
NMAAHC
Title Sort
LE TUMULTE NOIR: PORTFOLIO BOX
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1920s
Geo Location
City • Paris • State • Île-de-France • Country • France • Continent • Europe
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

No preview image
NMAAHC

Le Journal Illustré No. 50

Date: Date

Description

MORE →
No preview image
NMAAHC

Le Tumulte Noir: Portfolio box

Date: Date

Caption

MORE →
No preview image
NMAAHC

The Courier-Journal Magazine June 5, 1988

Date: Date

Description

MORE →
No preview image
NMAAHC

The Black Scholar, Volume 6, Number 6

Date: Date

Description

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

MORE →
TRIVIA QUESTION OF THE DAY

Which Supreme Court case ruled state-sponsored public-school segregation unconstitutional?

Brown v. Board of Education in 1954.