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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Orange dress with mermaid silhouette and rhinestone straps worn by Mable Lee

Date
1970s
Created by
Description
An orange dress with a mermaid silhouette and rhinestone straps worn by Mable Lee. The dress was possibly worn for the 1976 Broadway production of, “Bubbling Brown Sugar”. The satin dress features a v-neckline and the upper bodice is made from two panels that encompass the bust and the front sleeve. There are two bust darts, each measuring about 2.5” and two shaping darts measuring about 3”. Each sleeve has a lose dolman style that features a cold shoulder and tightens at the wrist. A strap made from glass and metal rhinestones strung on a thin string of cotton twill tape is hand sewn to each sleeve. There is a 4.5” metal zipper at the end of each sleeve. The dress bodice starts at a center point between the two bust panels and extends down to hip level, creating a downward center point. The skirt front is composed of two panels of orange satin that start narrow at the waist and gradually start to widen towards the calf, creating a mermaid effect.
The back bodice is made from two panels – each panel covers both the upper back and corresponding sleeve. There are no back darts and an 18” metal zipper with a metal tab that says [DARA] separates the two back bodice panels. The zipper has been handsewn to a panel of orange twill tape. Like the front, the back bodice is composed of two pieces that create a center point facing downward. Two panels of orange satin also make up the back of the skirt.
Handsewn to the interior proper right back neckline is a white cotton twill label that reads [MABEL LEE] in black handwriting. The sleeves and bodice are self-lined, but the skirt is unlined. Red synthetic bias tape encases a metal chain along the back skirt panel. There is a weight at each seam line of the skirt: center front, center back, and both side seams - four in total. The skirt hem is rolled, machine stitched down, then hand stitched into place. All seam allowances are left unfinished. Most of the dress is machine sewn but the zipper at the center back, and on the end of each sleeve are handsewn into place. The bottom central gore lining is also hand-stitched into place. There is no brand label.
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National Museum of African American History and Culture Collection
Collection title
Black Fashion Museum Collection
Classification
Clothing - Fashion and Historical
Clothing - Costume
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane
Data Source
National Museum of African American History and Culture
Object number
2007.3.720
Type
dresses
Restrictions & Rights
No known copyright restrictions
Proper usage is the responsibility of the user.
Medium
satin, synthetic plain weave, cotton (textile) twill, metal, and rhinestone
Dimensions
Length (shoulder to hem): 67 in. (170.2 cm)
Width (shoulder to shoulder): 11 1/4 in. (28.6 cm)
Chest (flat): 14 3/4 in. (37.5 cm)
Waist (flat): 13 1/2 in. (34.3 cm)
Title
Object Name • Orange dress with mermaid silhouette and rhinestone straps worn by Mable Lee
Record ID
nmaahc_2007.3.720
Museum
NMAAHC
Title Sort
ORANGE DRESS WITH MERMAID SILHOUETTE AND RHINESTONE STRAPS WORN BY MABLE LEE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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Mable B. Little - 1995

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The Story of Little Black Sambo

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Unlucky Blues / Ten Little Bottles

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NMAAHC

Orange dress with mermaid silhouette and rhinestone straps worn by Mable Lee

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker