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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Sweat & Love

Date
1973
Description
Record, jacket, and sleeve for Sweat & Love by David Porter from the set of Scandal.
a. The black vinyl record has a circular black label in the center with white text. There is a rainbow colored logo at the top with the word “ENTERPRISE” below. Side A has text which reads [SWEAT AND LOVE / DAVID PORTER] on the proper right and [ENS-1026 A / (ES0459) / COMPATIBLE / STEREO] on the proper left side. There is white text which reads [(P) 1973 Stax / Records, Inc.]. There is a list of four song titles, their length in minutes and second, and the names of the songwriters. There is text on the bottom which reads [ENTERPRISE RECORDS, A DIV. OF STAX RECORDS INC.] followed by an address in Memphis. Side B has the same information except there are five songs and the text on the right side reads [ENS-1026 B / (ES0460)]. There is some slight wear and tear on the labels on either side of the record.
b. The front of the jacket features a color image of a woman wearing a t-shirt. The image starts above the chest and ends at the stomach. Parts of the woman’s arms are showing. The t-shirt is wet. It features a reddish brown silhouette of David Porter’s dace. It is on a yellow background and there is a black border around the background. There is white text on the border which reads [DAVID PORTER / SWEAT & LOVE]. There is a yellow “ENTERPRISE” logo on the bottom proper left corner. There is yellow text along the spine which reads [SWEAT AND LOVE DAVID PORTER ENTERPRISE RECORDS]. The back of the jacket has a color image of David Porter wearing a silky, long sleeve pink shirt with no front, white pants, and a brimmed hat with strings hanging down from it. There is pink text which reads [DAVID PORTER / SWEAT & LOVE] followed by the song titles on each side of the record. There are four rectangular color images of David Porter. There is text at the bottom which contains production and copyright information, and the names of individuals involved in various aspects of creating the record. There are areas of wear and tear in several places on the jacket.
c. The sleeve is black. There is a red, black, grey, and off-white logo near the top center which reads [stax] in red with a black and grey image of a hand snapping its fingers below. There is an off-white rectangular background behind the logo. The word “RECORD” appears in red below the image. There is white text on the black sleeve which reads [where music is…]. There is white text at the bottom of the sleeve which reads [The Stax Organization, Memphis, U.S.A.]. The back of the sleeve has yellow text at the top which reads [The Memphis Sound.] There are four rows and four columns of images of album covers, each containing the title and the artist’s name typed below the image. There are some small tears and folds in several areas on the sleeve.
Title
Record from the set of Scandal
See more items in
National Museum of African American History and Culture Collection
Classification
Props and Set Design
Record Albums
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Walt Disney Television
Data Source
National Museum of African American History and Culture
Object number
2019.90.12.5abc
Type
long-playing records
45 rpm records
Restrictions & Rights
© Universal Music Group
Permission required for use. Proper usage is the responsibility of the user.
Medium
a. vinyl with ink on paper
b. ink on cardboard
c. ink on paper
Dimensions
Diameter (a.): 11 7/8 in. (30.2 cm)
H x W (b.): 12 7/8 × 12 5/8 in. (32.7 × 32.1 cm)
H x W (c.): 11 7/8 × 12 1/8 in. (30.2 × 30.8 cm)
Title
Title • Sweat & Love
Record ID
nmaahc_2019.90.12.5abc
Museum
NMAAHC
Title Sort
SWEAT & LOVE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Geo Location
City • Memphis • County • Shelby County • State • Tennessee • Country • United States • Continent • North and Central America • City • Los Angeles • State • California
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Talawa at The Cochrane: the Love Space Demands

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Black Poetry: a Supplement to Anthologies Which Exclude Black Poets

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Pre-Centennial Program: 1852-1951

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Supreme Court case ruled state-sponsored public-school segregation unconstitutional?

Brown v. Board of Education in 1954.