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Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.
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This is a personal recollection on the Move fire on May 13, 1985

Lunar maria (/ˈmæri.ə/ MARR-ee-ə) (Singular: mare /ˈmɑːreɪ, -i/ MAR-ay, MAR-ee)[1] are large, dark, basaltic plains on Earth's Moon, formed by lava flowing into ancient impact basins. They are less reflective than the "highlands" as a result of their iron-rich composition, and hence appear dark to the naked eye. The maria cover about 16% of the lunar surface, mostly on the side visible from Earth. The few maria on the far side are much smaller, residing mostly in very large craters.
The term "mare" (sea) was used in astronomy in the beginnings of the 17th century, initially with the idea that the lunar spots were covered with water. The traditional nomenclature for the Moon also includes one oceanus (ocean), as well as features with the names lacus ('lake'), palus ('marsh'), and sinus ('bay'). The last three are smaller than maria, but have the same nature and characteristics.
The names of maria refer to sea features (Mare Humorum, Mare Imbrium, Mare Insularum, Mare Nubium, Mare Spumans, Mare Undarum, Mare Vaporum, Oceanus Procellarum, Mare Frigoris), sea attributes (Mare Australe, Mare Orientale, Mare Cognitum, Mare Marginis), or states of mind (Mare Crisium, Mare Ingenii, Mare Serenitatis, Mare Tranquillitatis). Mare Humboldtianum and Mare Smythii were established before the final nomenclature, that of states of mind, was accepted, and do not follow this pattern.[2] When Mare Moscoviense was discovered by the Luna 3, and the name was proposed by the Soviet Union, it was only accepted by the International Astronomical Union with the justification that Moscow is a state of mind.[3]

The earliest drawings of the Moon surface have been found in Neolithic stones in Ireland.[4] Moon surface drawings are also found in pre-Columbian art in Mesoamerica.[4]
During the Warring States period in China, poems already referred to the dark marks near the dark side of the moon as the Moon rabbit, due to its shape.[4] Many cultures also developed stories due to lunar pareidolia (perception of patterns in the moon), like the "Man in the Moon", a tradition of an apparent human face pattern in the Moon.[4]
During Ancient Greece, philosophers like Thales, Democritus and Anaximenes considered the Moon to be earth-like and rocky (containing no seas).[4] Roman historian Pliny the Elder, uses the term mascula to refer to lunar maria, meaning "spottedness", believing that the Moon was covered in mud.[5] Greco-Roman biographer Plutarch, writes about the Moon in his De facie in orbe Lunae (46–120 AD). Plutarch compares Caspia (Mare Crisium in modern terms) with the Caspian Sea of Earth, which might have contributed to the idea of maria (seas) on the Moon.[4] However, Plutarch adhering to ancient Greek philosophy, explains the Moon spots by the difference between higher and lower terrains, and makes no reference to water.[4]
The first realistic drawings of the Moon are attributed to Renaissance painters Jan van Eyck and Leonardo da Vinci.[4] The latter referred to the Moon features as "stains" (Italian: macchie).[4]
The terminology of "maria" (seas) to refer to the Moon features appears in scientific writings in the 17th century. The first scientific drawing of the Moon was made by physicist William Gilbert in his De mundo nostro sublunari philosophia nova, from about 1600.[4] He regretted the lack of drawings from antiquity that could have allowed him to see if the Moon surface had shifted over time.[4] Gilbert named features of the moon using terminology based in seas and islands, but his work was not made public until 1654.[4]
In 1604 astronomer Johannes Kepler, in his work Dioptrice, refers to the bright and dark features of the moon as "maria" and "terrae" to describe what appeared to be seas and land-masses on the surface of the Moon.[4] The term was used in the name Mare Crisium and appears to have been used independently by astronomers like Thomas Harriot, Pierre Gassendi and Michael van Langren.[4]

Thomas Harriot was the first in 1609 to describe the Moon using observations from a telescope. He produced a detailed telescopic map in 1611 but his work remained unknown until its re-discovery and publication in 1965.[4]
About the same time, Galileo Galilei published his findings and telescopic observations of the Moon in his treatise Sidereus Nuncius of 1610.[4] He noticed the presence of crater-like features in the Moon, describing the surface as rocky, and made no reference to water or mare.[4] Kepler, after reading Galileo's account changed his mind about the watery nature of lunar maria.[4] Despite Galileo's descriptions, astronomers continued to name lunar features as seas, lakes and bays in their maps.[4]
Notable improvements were made in the sketches of Christoph Scheiner in 1614, Charles Malapert in 1619, Giuseppe Biancani in 1620, Christoforo Borri in 1627, and by Francesco Fontana in 1629 and 1630.[4]
Pierre Gassendi and his friend Nicolas-Claude Fabri de Peiresc set out to make a map of the moon with accurate distances between the features. They measured moonrises and moonsets at different locations and hired professional artists to make drawings of their findings. De Pereisc died before they were finished in 1637. One of the artists Claude Mellan produced one of the most realistic engravings with accurate distances in 1637, with superior accuracy compared to predecessors.[4] Almost at the same time, Michael van Langren hired by the Monarchy of Spain, attempted to calculate accurate distances and produced a series of detailed maps of the Moon in 1645.[4] Similarly, Johannes Hevelius published his Selenographia, sive Lunae descriptio, in which he hired a professional engraver, Jeremias Falck, and published his map in 1647 in sufficient quantity to be widely available.[4] Hevelius insisted on the watery nature of lunar maria.[4]
Using an improved telescope, Giovanni Battista Riccioli made another accurate map of the Moon. Moon features in Ricciolis' map are named using a mixture of previous nomenclature by Van Langren and Hevelius. Riccioli nomenclature remains in use today.[4]
In 1661, Christopher Wren constructed a lunar globe representing the difference cavities and eminences.[4]
Robert Hooke in his Micrographia (1665), describes the Moon surface as being the result of geological activity. He related craters and maria to volcanism on the Moon.[6]

The ages of the mare basalts have been determined both by direct radiometric dating and by the technique of crater counting. The radiometric ages range from about 3.16 to 4.2 billion years old (Ga),[7] whereas the youngest ages determined from crater counting are about 1.2 Ga.[8] Updated measurements of samples collected by the Chang’e-5 mission show that some lunar basalts could be as young as 2.03 billion years old.[9] Nevertheless, the majority of mare basalts appear to have erupted between about 3 and 3.5 Ga. The few basaltic eruptions that occurred on the far side are old, whereas the youngest flows are found within Oceanus Procellarum on the nearside. While many of the basalts either erupted within, or flowed into, low-lying impact basins, the largest expanse of volcanic units, Oceanus Procellarum, does not correspond to any known impact basin.
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There are many common misconceptions concerning the spatial distribution of mare basalts.

The reason that the mare basalts are predominantly located on the near-side hemisphere of the Moon is still being debated by the scientific community. Based on data obtained from the Lunar Prospector mission, it appears that a large proportion of the Moon's inventory of heat producing elements (in the form of KREEP) is located within the regions of Oceanus Procellarum and the Imbrium basin, a unique geochemical province now referred to as the Procellarum KREEP Terrane.[12][13][14] While the enhancement in heat production within the Procellarum KREEP Terrane is most certainly related to the longevity and intensity of volcanism found there, the mechanism by which KREEP became concentrated within this region is not agreed upon.[15]
Cryptomaria refers to lunar volcanic deposits that have been obscured by ejecta from crater and basin impacts. They form about 18% of the total mare basalt area, and can often be identified by dark halo impact craters.[16] An example of cryptomaria is the Schiller-Schickard region, which has been extensively covered by the Orientale basin impact ejecta.[17]
Using terrestrial classification schemes, all mare basalts are classified as tholeiitic, but specific subclassifications have been invented to further describe the population of lunar basalts. Mare basalts are generally grouped into three series based on their major element chemistry: high-Ti basalts, low-Ti basalts, and very-low-Ti (VLT) basalts. While these groups were once thought to be distinct based on the Apollo samples, global remote sensing data from the Clementine mission now shows that there is a continuum of titanium concentrations between these end members, and that the high-titanium concentrations are the least abundant. TiO2 abundances can reach up to 15 wt.% for mare basalts, whereas most terrestrial basalts have abundances much less than 4 wt.%. A special group of lunar basalts is the KREEP basalts, which are abnormally rich in potassium (K), rare-earth elements (REE), and phosphorus (P). A major difference between terrestrial and lunar basalts is the near-total absence of water in any form in the lunar basalts. Lunar basalts do not contain hydrogen-bearing minerals like the amphiboles and phyllosilicates that are common in terrestrial basalts due to alteration or metamorphism.[citation needed]
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Lunar maria ( MARR-ee-ə) (Singular: mare MAR-ay, MAR-ee) are large, dark, basaltic plains on Earth's Moon, formed by lava flowing into ancient impact basins. They are less reflective than the "highlands" as a result of their iron-rich composition, and hence appear dark to the naked eye. The maria cover about 16% of the lunar surface, mostly on the side visible from Earth. The few maria on the far side are much smaller, residing mostly in very large craters. The term "mare" (sea) was used in astronomy in the beginnings of the 17th century, initially with the idea that the lunar spots were covered with water. The traditional nomenclature for the Moon also includes one oceanus (ocean), as well as features with the names lacus ('lake'), palus ('marsh'), and sinus ('bay'). The last three are smaller than maria, but have the same nature and characteristics. The names of maria refer to sea features (Mare Humorum, Mare Imbrium, Mare Insularum, Mare Nubium, Mare Spumans, Mare Undarum, Mare Vaporum, Oceanus Procellarum, Mare Frigoris), sea attributes (Mare Australe, Mare Orientale, Mare Cognitum, Mare Marginis), or states of mind (Mare Crisium, Mare Ingenii, Mare Serenitatis, Mare Tranquillitatis). Mare Humboldtianum and Mare Smythii were established before the final nomenclature, that of states of mind, was accepted, and do not follow this pattern. When Mare Moscoviense was discovered by the Luna 3, and the name was proposed by the Soviet Union, it was only accepted by the International Astronomical Union with the justification that Moscow is a state of mind.
Mare Orientale (; from Latin mare orientāle 'eastern sea') is a lunar mare. It is located on the western border of the near side and far side of the Moon, and is difficult to see from an Earthbound perspective. Images from spacecraft have revealed it to be one of the most striking large-scale lunar features, resembling a target ring bullseye.
Mare Humorum (Latin hūmōrum, the "Sea of Moisture" or "Sea of Humors") is a lunar mare. The impact basin it is located in is 425 kilometers (264 mi) across.
Mare Ingenii (Latin ingeniī, the "Sea of Cleverness") is one of the few lunar mare features on the far side of the Moon. The mare sits in the Ingenii basin, which is of the Pre-Nectarian epoch, which lies in turn in the outer part of the older and much larger South Pole–Aitken basin. The mare material located in Ingenii and the surrounding craters is of the Upper Imbrian epoch. The dark circular feature which dominates this mare is the crater Thomson (112 km diameter), with the overflow from Ingenii/Thomson directly to the east. Mare Ingenii is incompletely and thinly covered over much of its expanse with mare lava sheets. The light grey crater to the south of Mare Ingenii is Obruchev. The mare has swirling patterns of bright material, similar to Reiner Gamma and to patterns within Mare Marginis, which are not associated with topographic or volcanic features. The lunar swirls are believed to be associated with magnetic fields. Prior to formal naming in 1961 by the IAU, the crater was known as Basin XIV. Mare Ingenii is located at the antipode of the Mare Imbrium impact basin. The furrowed crater walls of the basin (and possibly those of Van de Graaff crater) may have been caused by focused seismic waves resulting from the Imbrium impact. The mare contains the second instance of a lunar pit discovered on the Moon and one of several outside the Earth to date.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →The Greenwood District.