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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Program for an Artists in Prison performance of "Ceremonies of Dark Old Men"

Date
December 6, 1977
Description
A red paper program for the Terminal Island Prison Drama Workshop performance “Ceremonies In Dark Old Men” by Lonne Elder III.
The program is comprised of two sheets of paper (a, b), folded to form four pages. The front cover has line drawing illustrations featuring a large face of an elderly man. Beside his head is the title of the play in bold black print. The drawing of a dark-haired man wearing trousers and a trench coat features much smaller, beside the elderly face, followed by the head and shoulder sketch of another, young, dark-haired man. The artist’s signature beside the last sketch reads “Roone”. The lower half of the cover reads: [FEAUTURING / the / terminal island prison / drama workshop IN A PRODUCTION BY / ARTISTS IN PRISON, INC.]. On the inner first page (a) in typewritten black print is a summary of the events (written by Judy Elder) which led to the coordination of this play, and the true life narrative that it aimed to convey. There are quotes from the cast and crew on the loose page (b) and a schedule of the performances. On the last/back page of the program (a) is a list of the production staff, and a note of thanks to all contributing persons and entities.
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National Museum of African American History and Culture Collection
Classification
Memorabilia and Ephemera - Other
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2021.16.14ab
Type
programs
Restrictions & Rights
Unknown – Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
ink on paper
Dimensions
H x W (a (open)): 8 1/2 × 14 in. (21.6 × 35.5 cm)
H x W (a (closed)): 8 1/2 × 7 1/16 in. (21.6 × 17.9 cm)
H x W (b): 8 1/2 × 7 in. (21.6 × 17.8 cm)
Title
Object Name • Program for an Artists in Prison performance of "Ceremonies of Dark Old Men"
Record ID
nmaahc_2021.16.14ab
Museum
NMAAHC
Title Sort
PROGRAM FOR AN ARTISTS IN PRISON PERFORMANCE OF "CEREMONIES OF DARK OLD MEN"
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Topic
Geo Location
County • Los Angeles County • State • California • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Photograph of Jimmie Lunceford

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NMAAHC

Gelatin silver print of Jimmie Lunceford and his Orchestra

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NMAAHC

Photograph of Jimmie Lunceford

Date: Date

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No preview image
NMAAHC

Program for an Artists in Prison performance of "Ceremonies of Dark Old Men"

Date: Date

Description

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker