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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Black, navy, and teal suit worn by Luther Vandross

Date
1990s
Description
This suit jacket (.1) and pants (.2) by Gianni Versace were worn by Luther Vandross. The jacket is made from black wool with a woven design in navy and muted teal similar to camouflage. The single-breasted jacket closes at the center front with two (2) black round plastic buttons sewn to a placket, making them invisible from the exterior. The jacket has a standard notched collar and one center back vent. The sleeves are cut straight with a faux slit in the cuffs and a line of six (6) tightly spaced black round plastic buttons on each cuff. There is one (1) welted breast pocket on the proper left side and two (2) pockets with flap closures, one at each front sided waist. The interior of the jacket and all of the pockets are lined in black rayon with a repeating woven design in black of a hairy human head. There are two (2) interior breast pockets, one at each side, and two (2) additional interior pockets on the proper left side, one small one below the breast pocket and another near the waist. A Gianni Versace label is sewn above the proper right interior pocket, with one (1) spare button sewn below the pocket opening. Two (2) additional labels are sewn at the interior center back neck containing style, fiber content, care, and manufacture information. Shoulder pads are sewn between the facing and the lining.
The pants (.2) are made from the same wool fabric as the jacket. The straight-legged pants close at the center front waist with a metal zipper, one (1) flat metal hook-and-eye, and one (1) round black plastic button over a self-fabric tab. There are two (2) front pockets, one at each side with diagonal cut openings. There are two (2) back pockets, one at each side below the waist, with welt openings and one (1) round black plastic button at the center of each one to close it. Seven (7) self-fabric belt loops are sewn around the waistband. The pants are not lined. A Gianni Versace label is sewn at the interior proper left back waistband with a size tag sewn below it.
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National Museum of African American History and Culture Collection
Classification
Clothing - Costume
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.118.4.1-.2
Type
jackets
trousers
Restrictions & Rights
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
Medium
.1: wool, rayon, and plastic buttons;
.2: wool, plastic and metal fasteners
Dimensions
H x W x D (.1 flat): 33 7/8 × 28 × 1 5/8 in. (86 × 71.1 × 4.1 cm)
H x W x D (.2 flat): 42 × 20 1/4 × 1 in. (106.7 × 51.4 × 2.5 cm)
Title
Object Name • Black, navy, and teal suit worn by Luther Vandross
Record ID
nmaahc_2015.118.4.1-.2
Museum
NMAAHC
Title Sort
BLACK, NAVY, AND TEAL SUIT WORN BY LUTHER VANDROSS
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1990s
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Black, navy, and teal suit worn by Luther Vandross

Date: Date

Description

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NMAAHC

Sony microphone used in the studio by Luther Vandross

Date: Date

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NMAAHC

Lyrics for “Dance with My Father” handwritten by Luther Vandross

Date: Date

Description

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NMAAHC

Suit jacket worn by Luther Vandross

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker