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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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Wikipedia

Major chord

A major triad has a major third on the bottom, a minor third on top, and a perfect fifth between the outer notes.[1]
major triad
Component intervals from root
perfect fifth
major third[1]
Tuning
just - 4:5:6[2]
Forte no.
3-11[3]

A major chord is a triad with a major third and a perfect fifth above the root. The major chord above C is spelled C–E–G.

Structure

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The primary intervals in a major chord are the major third between the first and second notes, the perfect fifth between the first and third notes, and the minor third between the second and third notes.[1] It is a tertian chord, because it is built in thirds.[4] When the root of the chord is not in the bass, the chord is considered inverted.[5] In integer notation, a major triad is {0,4,7}.[6]

On lead sheets, a major chord is indicated by the letter of its root (and any relevant accidental).[7]

The major chord timbre is sometimes described as brighter than its minor counterpart.[8]

Just intonation

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The just major triad is composed of three tones in whole number ratios 4:5:6.[9]

In just intonation, a major chord is tuned to the frequency ratio 4:5:6. The just major scale contains major triads at I, IV, and V.[10] In equal temperament, the fifth is two cents narrower than the just perfect fifth, and the major third is 14 cents narrower than the just major third.[11]

See also

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References

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  1. ^ a b c Wedge, George Anson. Advanced Ear-training and Sight-singing as Applied to the Study of Harmony: A Continuation of the Practical and Coördinated Course for Schools and Private Study. G. Schirmer, Inc., 1922. 5.
  2. ^ Suits, Bryan H. Physics Behind Music: An Introduction. Cambridge University Press, 2023. 41.
  3. ^ Terefenko, Dariusz. Jazz Theory: From Basic to Advanced Study. Taylor & Francis, 2017. 340.
  4. ^ Helmholtz, Hermann von. On the Sensations of Tone as a Physiological Basis for the Theory of Music. London: Longmans Green, 1912. 458.
  5. ^ "Inversion", Edited by Don Randel. Belknap Press of The New Harvard Dictionary of Music, 1986. 403f.
  6. ^ Gualdo, Fernando. "Tonal, Atonal and Microtonal Pitch-Class Categories". In Mathematics and Computation in Music. Germany, Springer Berlin Heidelberg, 2010. 432.
  7. ^ Benward, Bruce, and Saker, Marilyn. Music in Theory and Practice, Volume 1. McGraw-Hill Education, 2008. 85.
  8. ^ Kamien, Roger (2008). Music: An Appreciation (6th brief ed.). McGraw-Hill Education. p. 46. ISBN 978-0-07-340134-8.
  9. ^ The Princeton Companion to Mathematics. Princeton University Press, 2008. 937.
  10. ^ Wright, David (2009). Mathematics and Music. American Mathematical Society. pp. 140–141. ISBN 978-0-8218-4873-9.
  11. ^ Sethares, William A. Tuning, Timbre, Spectrum, Scale. Springer London, 2005. 60.
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  • Wikimedia Commons logo Media related to Major chords at Wikimedia Commons
  • Major triads explained on a virtual piano
  • Major chords explained on a virtual piano

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Wikipedia

Major chord

A major chord is a triad with a major third and a perfect fifth above the root. The major chord above C is spelled C–E–G.

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Wikipedia

Major seventh chord

In music, a major seventh chord is a seventh chord in which the third is a major third above the root and the seventh is a major seventh above the root. The major seventh chord, sometimes also called a Delta chord, can be written as maj7, M7, Δ, ⑦, etc. The "7" does not have to be superscripted, but if it is, then any alterations, added tones, or omissions are usually also superscripted. For example, the major seventh chord built on C, commonly written as Cmaj7, has pitches C–E–G–B: It can be represented by the integer notation {0, 4, 7, 11}. According to Forte, the major seventh chord is exemplified by IV7, which originates melodically. The just major seventh chord is tuned in the ratios 8:10:12:15, as a just major chord is tuned 4:5:6 and a just major seventh is tuned 15:8. The minor flat sixth chord (minor triad with an added minor sixth) is an inversion of this chord.

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Wikipedia

Augmented major seventh chord

In music, an augmented major seventh chord or major seventh sharp five chord is a seventh chord composed of a root, major third, augmented fifth, and major seventh (1, 3, ♯5, 7). It can be viewed as an augmented triad with an additional major seventh. When using popular-music symbols, it is denoted by e.g. +Δ7. For example, the augmented major seventh chord built on A♭, written as e.g. A♭+Δ7, has pitches A♭-C-E-G: The chord can be represented by the integer notation {0, 4, 8, 11}. The augmented major seventh chord is associated with the augmented scale (see jazz scale and chord-scale system). This chord also comes from the third mode of both the harmonic minor and the melodic minor scales. For example, the third mode of the A melodic minor scale outlines an augmented major seventh chord, as shown below. As with dominant seventh chords, nondominant seventh chords including the augmented major seventh usually progress according to the circle, thus III+M7 resolves to vi or VI. For example, in the key of A minor, C maj7♯5 usually resolves to F.

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Wikipedia

Minor major seventh chord

A minor major seventh chord, or minor/major seventh chord is a seventh chord composed of a root, minor third, perfect fifth, and major seventh (1, ♭3, 5, and 7). It can be viewed as a minor triad with an additional major seventh. When using popular-music symbols, it is denoted by e.g. m(M7). For example, the minor major seventh chord built on A, written as e.g. Am(M7), has pitches A–C–E–G♯: The chord can be represented by the integer notation {0, 3, 7, 11}.

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Supreme Court case ruled state-sponsored public-school segregation unconstitutional?

Brown v. Board of Education in 1954.