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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Libertad

Date
ca. 2006-2008
Caption
CAPTION:
In 2006, a group of women in Mampuján, Colombia formed a textile collective in the aftermath of a devastating paramilitary attack. The collective draws upon Afro-Caribbean storytelling and local textile art traditions, to create tapestries that document their history and the atrocities their community has suffered, past and present. The community Mampuján, one of 20 historical Palenques or maroon settlements formed by escapees in Colombia, has faced violence throughout its existence, from colonial extermination campaigns in the 16th and 17th centuries to the paramilitary attack. Sewing tapestries is one method women from this community have used to address and heal from trauma.
This tapestry, Libertad (Freedom), depicts the self-emancipatory founding of the Mampuján Palenque by formerly enslaved peoples in Colombia. From the artist's statement:
This work has a blue sky with white and various mountains that represent cold or hot climates--that is to say that slavery had no limits. The woman's body is synonymous with freedom. On a little boat, she carries the shadow of a baby up from her head to symbolize her fervent desire for freedom.
Around them are shadows of people who show desire to escape from something, from a threat, from the slavers, from the war of evil.
It demonstrates how to leave behind the painful past and move on to see a path to freedom with the new generations that can have political, economic, social and cultural rights without domination. — Juana Alicia Ruiz.
The Mampuján tapestries have been displayed in museums in Colombia, including a piece on permanent display at the National Museum of Bogota and in the Mampuján museum newly opened in 2023. In 2015, the weaving collective won the Premio Nacional de la Paz award, an important peace prize in Colombia for their community organization and projects around the sewing collective.
Description
One (1) cotton quilt tapestry, Libertad (Freedom), crafted by Mujeres Tejedoras de Mampuján (The Weavers of Mampuján), circa 2006 to 2008.
The tapestry is vertically oriented with a red cotton border, and depicts a scene constructed of colorful pieces of cloth shaped and sewn together in a storytelling display. At the top of the tapestry is the title in Spanish [LIBERTAD] in red cloth. The tapestry depicts a scene of a small boat in blue water in front of a multicolored mountain range beneath a blue and white sky. The high peaks of the mountains are created by patterned fabrics of yellow and white, purple, black floral, yellow snakeskin, orange and white rings, and glittering mauve. Below the mountains on the left are two different sequin pieces, one beige and black and the second purple and black. Below the mountains on the right is a cactus-patterned cloth. At the center is the purple mountain with a large rounded bright tan beach below it. A palm tree, with an ikat patterned strip of cloth for the trunk, intersects the beach from the right. An outline of black birds in flight are depicted above the beach on the left.
Below the mountains taking up the bottom half of the tapestry, is a blue ocean with a green boat at the center of it. Inside of the boat is a black woman figure standing and raising a black baby figure in the air. There are pieces of gold links sewn as broken chains around the woman figure’s wrists. There are three smaller black figures in the boat beside her and three more in the water surrounding the boat, including one with a baby on her back. Blue and turquoise sequins representative of seafoam are sewn below the black figures that surround the green boat. On the left of the tapestry is an embroidered strand of leaves made of green velvety cloth. The reverse of the tapestry is red cotton.
See more items in
National Museum of African American History and Culture Collection
Classification
Textiles and Quilts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Juana Alicia Ruiz Hernandez, Mujeres Tejedoras de mampujan
Data Source
National Museum of African American History and Culture
Object number
2024.2.3
Type
tapestries
Restrictions & Rights
© Women Weavers of Mampujan
Permission required for use. Proper usage is the responsibility of the user.
Medium
cotton and linen with batting and thread
Dimensions
H x W x D: 39 1/4 × 41 × 1/8 in. (99.7 × 104.1 × 0.3 cm)
Title
Title • Libertad
Record ID
nmaahc_2024.2.3
Museum
NMAAHC
Title Sort
LIBERTAD
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2010s • 2000s
Geo Location
City • Mampuján • County • Montes de María • State • Bolívar • Country • Colombia • Region • Latin America • Continent • South America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Violencia y Esperanza en Colombia

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NMAAHC

Libertad

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NMAAHC

Encuentro de 3 Mundos

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NMAAHC

Hacienda Esclavista

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Supreme Court case ruled state-sponsored public-school segregation unconstitutional?

Brown v. Board of Education in 1954.