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Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
Brahmi ( BRAH-mee; 𑀩𑁆𑀭𑀸𑀳𑁆𑀫𑀻; ISO: Brāhmī) is a writing system from ancient India that appeared as a fully developed script in the 3rd century BCE. Its descendants, the Brahmic scripts, continue to be used today across South and Southeastern Asia. Brahmi is an abugida and uses a system of diacritical marks to associate vowels with consonant symbols. The writing system only went through relatively minor evolutionary changes from the Mauryan period (3rd century BCE) down to the early Gupta period (4th century CE), and it is thought that as late as the 4th century CE, a literate person could still read and understand Mauryan inscriptions. Sometime thereafter, the ability to read the original Brahmi script was lost. The earliest (indisputably dated) and best-known Brahmi inscriptions are the rock-cut edicts of Ashoka in north-central India, dating to 250–232 BCE. The decipherment of Brahmi became the focus of European scholarly attention in the early 19th century during East India Company rule in India, in particular in the Asiatic Society of Bengal in Calcutta. Brahmi was deciphered by James Prinsep, the secretary of the Society, in a series of scholarly articles in the Society's journal in the 1830s. His breakthroughs built on the epigraphic work of Christian Lassen, Edwin Norris, H. H. Wilson and Alexander Cunningham, among others. The origin of the script is still much debated, with most scholars stating that Brahmi was derived from or at least influenced by one or more contemporary Semitic scripts. Some scholars favour the idea of an indigenous origin, or connection to the much older and as yet undeciphered Indus script but the evidence is insufficient at best. Brahmi script was the first in the list of scripts mentioned in the Sanskrit Lalitavistara Sūtra. But it took some time for modern scholars to associate this name with the ancient script that we now know as 'Brahmi'. At first, modern scholars referred to it in English as "pin-man" script, likening the characters to stick figures. It was also known by a variety of other names, including "lath", "Laṭ", "Southern Aśokan", "Indian Pali" or "Mauryan" (Salomon 1998, p. 17). But in the 1880s, Albert Étienne Jean Baptiste Terrien de Lacouperie, based on an observation by Gabriel Devéria, associated the ancient name with the actual script engraved on the monuments. Thence the name was adopted in the influential work of Georg Bühler, albeit in the variant form "Brahma". The Gupta script of the 5th century is sometimes called "Late Brahmi". From the 6th century onward, the Brahmi script diversified into numerous local variants, grouped as the Brahmic family of scripts. Dozens of modern scripts used across South and South East Asia have descended from Brahmi, making it one of the world's most influential writing traditions. One survey found 198 scripts that ultimately derive from it. Among the inscriptions of Ashoka (c. 3rd century BCE) written in the Brahmi script a few numerals were found, which have come to be called the Brahmi numerals. The numerals are additive and multiplicative and, therefore, not place value; it is not known if their underlying system of numeration has a connection to the Brahmi script. But in the second half of the 1st millennium CE, some inscriptions in India and Southeast Asia written in scripts derived from the Brahmi did include numerals that are decimal place value, and constitute the earliest existing material examples of the Hindu–Arabic numeral system, now in use throughout the world. The underlying system of numeration, however, was older, as the earliest attested orally transmitted example dates to the middle of the 3rd century CE in a Sanskrit prose adaptation of a lost Greek work on astrology.
Jawi (جاوي; Acehnese: Jawoe; Acehnese pronunciation: [ɟa.ˈwɔə̯]; Malay: Jawi; Malay pronunciation: [d͡ʒä.wi]) is a writing system used for writing several languages of Southeast Asia, such as Acehnese, Banjarese, Betawi, Iranun, Kutainese, Maguindanao, Malay, Mëranaw, Minangkabau, Tausūg, Ternate, and many others. Jawi is based on the Arabic script, consisting of all 31 original Arabic letters, six letters constructed to fit phonemes native to Malay, and one additional phoneme used in foreign loanwords, but not found in Classical Arabic, which are ca (⟨چ⟩ /t͡ʃ/), nga (⟨ڠ⟩ /ŋ/), pa (⟨ڤ⟩ /p/), ga (⟨ݢ⟩ /ɡ/), va (⟨ۏ⟩ /v/), and nya (⟨ڽ⟩ /ɲ/). Jawi was developed during the advent of Islam in Maritime Southeast Asia, supplanting the earlier Brahmic scripts used during Hindu-Buddhist era. The oldest evidence of Jawi writing can be found on the 14th century Terengganu Inscription Stone, a text in Classical Malay that contains a mixture of Malay, Sanskrit and Arabic vocabularies. However, the script may have been used as early as the 9th century, when the Peureulak Sultanate was established by the son of a Persian preacher. There are two competing theories on the origins of the Jawi alphabet. Popular theory suggests that the system was developed and derived directly from the Arabic script, while scholars like R. O. Windstedt suggest it was developed with the influence of the Perso-Arabic alphabet. The ensuing trade expansions and the spread of Islam to other areas of Southeast Asia from the 15th century carried the Jawi alphabet beyond the traditional Malay-speaking world. Until the 20th century, Jawi was the standard script of the Malay language, and gave birth to traditional Malay literature when it featured prominently in official correspondences, religious texts, and literary publications. With the arrival of Western influence through colonization and education, Jawi was relegated to religious education, with the Malay language eventually adopting a form of the Latin alphabet called Rumi that is currently in general usage. Today, Jawi is one of two official scripts in Brunei. In Malaysia, the position of Jawi is protected under Section 9 of the National Language Act 1963/67, as it retains a degree of official use in religious and cultural contexts. In some states, most notably Kelantan, Terengganu, and Pahang, Jawi has co-official script status as businesses are mandated to adopt Jawi signage and billboards. Jawi is also used as an alternative script among Malay communities in Indonesia and Thailand. Until the early 20th century, there was no standard spelling system for Jawi. The earliest orthographic reform towards a standard system was in 1937 by The Malay Language and Johor Royal Literary Book Pact. This was followed by another reform by Za'aba, published in 1949. The final major reform was the Enhanced Guidelines of Jawi Spelling issued in 1986, which was based on the Za'aba system. Jawi can be typed using the Jawi keyboard.
Surat Buhid is an abugida used to write the Buhid language. As a Brahmic script indigenous to the Philippines, it is closely related to Baybayin and Hanunó'o. It is still used today by the Mangyans, found mainly on island of Mindoro, to write their language, Buhid, together with the Filipino Latin script. There are efforts to reinvigorate the use of Surat Buhid. Buhid script use varies across Northern (Bansud area) and Southern Buhid (Bongabong) communities.
Tagbanwa is one of the scripts indigenous to the Philippines, used by the Tagbanwa and the Palawan people as their ethnic writing system. The Tagbanwa languages (Aborlan, Calamian and Central), which are Austronesian languages with about 8,000-25,000 total speakers in the central and northern regions of Palawan, are dying out as the younger generations of Tagbanwa are learning and using non-traditional languages such as Cuyonon and Tagalog, thus becoming less knowledgeable of their own indigenous cultural heritage. There are proposals to revive the script by teaching it in public and private schools with Tagbanwa populations.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Joe Louis.
