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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Playbill for the Negro Ensemble Company at the Aldwych Theatre in London

Date
1969
Description
A playbill (a) with insert (b) for the Negro Ensemble Company’s tour at the Aldwych Theatre in London. The playbill is printed in black on white paper. The front cover is divided into multiple rectangular sections, arranged vertically. The top sections include small print with theatre credits followed by a wide black band with “Aldwych Theatre” in white and “world theatre season ‘69” inside a white circle. The next three sections have “First visit to this country of the Negro Ensemble Company from New York,” followed by specific dates for performances of “Song of the Lusitanian Bogey” by Peter Weiss and “God is a (guess what?)” by Ray McIver. There are 20 interior pages with cast and crew information along with numerous full-page color advertisements. The back cover has a cigarette advertisement. The tri-fold insert (b) is printed in black on tan-colored paper. It includes information on the various theatre companies, including the Negro Ensemble Company that are participating in the Royal Shakespeare Company’s World Theatre Season 1969 at the Aldwych Theatre.
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National Museum of African American History and Culture Collection
Collection title
Clarice Taylor Collection
Classification
Books and Published Materials
Exhibition
Taking the Stage
On View
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 054
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of William and James Thomas and family in memory of Clarice Taylor
Data Source
National Museum of African American History and Culture
Object number
2013.188.38ab
Type
playbills
Restrictions & Rights
Unknown – Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
ink on paper with metal
Dimensions
H x W (a. closed): 9 × 5 15/16 in. (22.8 × 15.1 cm)
H x W (a. open): 9 × 11 7/8 in. (22.8 × 30.1 cm)
H x W (b. closed): 8 1/2 × 5 5/8 in. (21.6 × 14.3 cm)
H x W (b. open): 8 1/2 × 17 3/16 in. (21.6 × 43.7 cm)
Title
Object Name • Playbill for the Negro Ensemble Company at the Aldwych Theatre in London
Record ID
nmaahc_2013.188.38ab
Museum
NMAAHC
Title Sort
PLAYBILL FOR THE NEGRO ENSEMBLE COMPANY AT THE ALDWYCH THEATRE IN LONDON
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s
Exhibition
NMAAHC • Taking the Stage
Geo Location
City • London • Country • England • Nation • United Kingdom • Continent • Europe
On Physical Exhibit
Yes
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Playbill for the Negro Ensemble Company at the Aldwych Theatre in London

Date: Date

Description

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NMAAHC

Textbook of Black-Related Diseases

Date: Date

Description

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NMAAHC

The Homesteader

Date: Date

Caption

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NMAAHC

The Art and Color of Design

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.