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THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

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Events

Moments that changed communities, movements, institutions and the nation.

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Black Jesus

Date
ca. 1985
Caption
Clementine Hunter’s Black Jesus is part of a tradition of imagery that dates to the early 19th century when Robert Alexander Young, in The Ethiopian Manifesto (1829), referred to the coming of a black messiah. Since then, artists have re-created the black Jesus in paintings, stained-glass windows, Bibles, and more. Hunter was known for her many depictions of Christ’s crucifixion, although this version stands out because it lacks a cross.
Hunter had no formal art training and only began painting in her fifties. She spent most of her life on the Melrose Plantation in Louisiana, picking cotton and collecting pecans. Later she worked inside, cleaning houses and washing clothes. Once she did begin painting, she was quite prolific. It is believed that she produced several thousand works.
Description
This oil painting depicts a human figure with arms extended horizontally. The figure wears a long loose dark red/brown robe that flares outward towards the hem. The figure's head, an oval with two white spots for eyes as the only defined features, has short lines radiating outward from the scalp. There are two small round red spots over the figure's chest. At the ends of each horizontal arm is a larger oblong of paint. Each oblong has a streak of red trickling from the center. At the bottom of the figure are two short triangular brush strokes. Each triangular shape has a red streak running through the middle. To the right of the figure are two short vertical lines crossed by three horizontal short lines. They are done in a dark reddish-brown color. Pencil lines are visible underneath the brush strokes. There is a dark grey blue line of color across the top of the painting, and a green line across the bottom.
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National Museum of African American History and Culture Collection
Classification
Visual Arts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Henley A. Hunter, Kathey N. Hunter, and Anne Kathryn Hunter
Data Source
National Museum of African American History and Culture
Object number
2012.168
Type
paintings
Restrictions & Rights
© Cane River Art Corporation
Permission required for use. Proper usage is the responsibility of the user.
Medium
oil or acrylic paint on canvas board
Dimensions
H x W (unframed): 14 × 11 in. (35.6 × 27.9 cm)
H x W x D (framed): 23 3/8 × 20 3/8 × 2 3/8 in. (59.4 × 51.8 × 6 cm)
Title
Title • Black Jesus
Record ID
nmaahc_2012.168
Museum
NMAAHC
Title Sort
BLACK JESUS
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1980s
Geo Location
City • Natchitoches • County • Natchitoches Parish • State • Louisiana • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Melrose Plantation Cookbook

Date: Date

Description

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NMAAHC

Quilt depicting Melrose Plantation by Clementine Hunter

Date: Date

Description

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NMAAHC

Bullet from Point of Pines Plantation

Date: Date

Caption

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NMAAHC

Black Jesus

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.