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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection

Date
1961-2004
Caption
See more about this collection in the Smithsonian Online Virtual Archive (SOVA) here: https://sova.si.edu/record/NMAAHC.A2013.245 or contact NMAAHC Archives at nmaahc-archivalcollection@si.edu.
Description
Jack Mitchell (1925- 2013) was an acclaimed photographer who began chronicling the work of the Alvin Ailey American Dance Theater in 1961. Alvin Ailey (1931- 1989), one of the most influential African American choreographers of modern dance, dedicated himself and his dance company to creating ballets that not only accelerated the careers of young African American dancers, but also stole the attention of national and international audiences in displaying the racial perspective of dance in the African American experience. This collection serves as Mitchell's documentation of the dance company's evolution while capturing the true idiosyncrasies and physicality of movement through still images. Through Alvin Ailey and Jack Mitchell's partnership, they were able to collaborate and produce a unique production of art, fusing the meaning and movements of dance and the techniques of photography.
The Jack Mitchell Photography of Alvin Ailey American Dance Theater Collection is comprised of approximately 10,000 black and white prints of solo and ensemble acts, portraits of principle dancers and various associates of the company, color slides and transparencies for private photo sessions and performances, black and white film strips and their corresponding contact sheets, and reference materials.
The material in this collection has been kept primarily at the folder level in the order that was declared by the initial owner and photographer, Jack Mitchell. Oversize prints were separated and housed in an associated series in the collection. The order of the material has been organized based on the medium of the material. Each subseries has been organized based on the following:
Series I: Black and White Prints
Subseries A: Solo and Ensemble Images and Portraits were organized alphabetically by ballet name. Subseries B: Prints for Jack Mitchell Publication were organized by page number in the publication.
Series II: Color Photography
Subseries A: Original Slide Boxes were organized numerically based on Jack Mitchell's label assignments. Subseries B: Color Slides were organized numerically based on subseries A's label assignments. Subseries C: Color Transparencies were organized numerically based on subseries A's label assignments.
Series III: Black and White Negatives
Subseries A: Black and White Film Strips were organized chronologically by date. Subseries B: Contact Sheets were organized chronologically by date.
Series IV: Reference Material
OVERSIZE Series I: Black and White Prints were organized chronologically by date.
See more items in
National Museum of African American History and Culture Collection
Collection title
Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Classification
Archival Collections
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture and Alvin Ailey Dance Foundation, Inc., Photography by Jack Mitchell, © Alvin Ailey Dance Foundation, Inc. and Smithsonian Institution, All rights reserved.
Data Source
National Museum of African American History and Culture
Object number
A2013.245
Type
gelatin silver prints
black-and-white transparencies
color transparencies
archive
Restrictions & Rights
Photography by Jack Mitchell © Alvin Ailey Dance Foundation, Inc and Smithsonian Institution, All rights reserved.
Permission required for use. Proper usage is the responsibility of the user.
Dimensions
20.4 linear feet (0.2Meters)
Title
Title • Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection
Record ID
nmaahc_A2013.245
Museum
NMAAHC
Title Sort
JACK MITCHELL PHOTOGRAPHY OF THE ALVIN AILEY AMERICAN DANCE THEATER COLLECTION
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2000s • 1960s
Geo Location
City • New York City • State • New York • Country • United States • Continent • North and Central America
Online Media Type
Full text documents
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Jack Mitchell Photography of the Alvin Ailey American Dance Theater Collection

Date: Date

Caption

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NMAAHC

Milestone Media trading card featuring Steve Mitchell

Date: Date

Description

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NMAAHC

Agnes de Mille and Arthur Mitchell, Dance Theatre of Harlem, NYC

Date: Date

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NMAAHC

Outdoor Smith Johnson family portrait

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.