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THE JOURNEY THROUGH TIME

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Explore the people, places, events, achievements, struggles and stories that shaped our journey.

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Events

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Enroute

Date
2000
Caption
Radcliffe Bailey has strong ties to Atlanta, Georgia, where he graduated from the Atlanta College of Art. He has produced distinctive art by incorporating African American memories into the country’s broader story. A versatile artist who works experimentally across many media, Bailey references the Transatlantic Slave Trade and its legacy in Enroute.
Here, he incorporates West African art and symbols with his own family photographs. In a compact way, the work evokes the watery world that connects the African continent with America. His prominent configuration of railroad tracks conjures up the harrowing journey of the enslaved as they sought self-emancipation on the Underground Railroad, as well as African Americans during the First Great Migration (1910–1940) as they left the American South in search of better lives in the North.
Description
A dense collage of paper and photographs mounted to paper with resin, all painted over in thick, swirling strokes of black, orange, ochre, and mint green acrylic paint. At the center of the artwork is a color photograph of a group of individuals aboard a dugout style boat on an open body of water. At each end of the boat is a figure standing and guiding the boat with poles. Other symbols and images throughout the artwork include train tracks, an oak leaf, the carved base of a chair, a statue figure, and pages with printed text.
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National Museum of African American History and Culture Collection
Classification
Visual Arts
Exhibition
Reckoning: Protest. Defiance. Resilience.
Revelation: A Journey into Abstraction
On View
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 052
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Terry and Jennifer Weiss and family
Data Source
National Museum of African American History and Culture
Object number
2014.305ab
Type
collages
Restrictions & Rights
© Radcliffe Bailey
Permission required for use. Proper usage is the responsibility of the user.
Medium
mixed media: acrylic, resin, glitter, metallic paint, with oak leaf and photographic materials on paper
Dimensions
H x W (sheet): 58 × 70 in. (147.3 × 177.8 cm)
H x W x D (framed): 62 9/16 × 74 11/16 × 2 3/8 in. (158.9 × 189.7 × 6 cm)
Title
Title • Enroute
Record ID
nmaahc_2014.305ab
Museum
NMAAHC
Title Sort
ENROUTE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2000s • 1910-1930
Exhibition
NMAAHC • Revelation: A Journey into Abstraction
On Physical Exhibit
Yes
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Illinois Central Railroad logo

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NMAAHC

Summer Semester: The Negro in the 20th Century

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NMAAHC

Enroute

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NMAAHC

Scott 5-10-27

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Supreme Court case ruled state-sponsored public-school segregation unconstitutional?

Brown v. Board of Education in 1954.