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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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Wikipedia

Monospaced font

Comparison between variable-width fonts and monospaced fonts

A monospaced font, also called a fixed-pitch, fixed-width, or non-proportional font, is a computer font whose letters and characters each occupy the same amount of horizontal space.[1][a] This contrasts with variable-width fonts, where the letters and spacings have different widths.

Monospaced fonts are customary on typewriters and for typesetting computer code.

Monospaced fonts were widely used in early computers and computer terminals, which had limited graphical capabilities. Hardware implementation was simplified by using a text mode where the screen layout was addressed as a regular grid of tiles, each of which could be set to display a character by indexing into the hardware's character map. Some systems allowed colored text to be displayed by varying the foreground and background color for each tile. Other effects included reverse video and blinking text. Nevertheless, these early systems were typically limited to a single console font.

Even though computers can now display a wide variety of fonts, the majority of IDEs and software text editors employ a monospaced font as the default typeface. This increases the readability of source code, which is often heavily reliant on distinctions involving individual symbols, and makes differences between letters more unambiguous in situations like password entry boxes where typing mistakes are unacceptable.[2] Monospaced fonts are also used in terminal emulation and for laying out tabulated data in plain text documents. In technical manuals and resources for programming languages, a monospaced font is often used to distinguish code from natural-language text. Monospaced fonts are also used by disassembler output, causing the information to align in vertical columns.

Optical character recognition has better accuracy with monospaced fonts. Examples are OCR-A and OCR-B.

The term modern is sometimes used as a synonym for monospace generic font family. The term modern can be used for a fixed-pitch generic font family name, which is used in OpenDocument format (ISO/IEC 26300:2006) and Rich Text Format.[3][4]

Examples of monospaced fonts include Courier, Lucida Console, Menlo, Monaco, Consolas, Inconsolata, PragmataPro and Source Code Pro.

Use in art

[edit]

Multiple art forms have developed within computers' and typewriters' monospaced typographic settings in which the nth character of every line align vertically with each other. (Such a group of characters is sometimes called a column.) A proportional and monospaced font's reproduction of an element of ANSI art, line drawing, is illustrated below.

Proportional font Monospaced font
+------+------+
| cat  |  1   |
| dog  |  2   |
+------+------+
+------+------+
| cat  |  1   |
| dog  |  2   |
+------+------+

The failure of a proportional font to reproduce the desired boxes above motivates monospaced fonts' use in the creation and viewing of ASCII and ANSI art. Some poetry composed monospaced on typewriters or computers also depends on the vertical alignment of character columns. E. E. Cummings' poetry is often set in monospaced type for this reason.[citation needed] Some classic video games (e.g. Rogue and NetHack) and those imitating their style (e.g. Dwarf Fortress) use a monospaced grid of characters to render their state for the player. Quiz Show (1976) is believed to be the first video game to use 8×8 monospaced "arcade font", which got widely adopted by computer games of the time.

Tabular figures

[edit]
Some fonts, such as Hepta Slab (shown above), contains both proportional (left) and tabular (right) figures. CSS can be used to choose between these two sets of numeral glyphs.
Proportional (upper) and tabular (lower) figures in Palatino

Many fonts that generally are not monospaced have numerals that are known as tabular figures.[5][6] As tabular spacing makes all numbers with the same number of digits the same width, it is used for typesetting documents such as price lists, stock listings and sums in mathematics textbooks, all of which require columns of numbers to line up on top of each other for easier comparison.[7] Tabular spacing is also a common feature of simple printing devices such as cash registers and date-stamps.[8] Fonts intended for professional use in documents such as business reports may also make the bold numbers take up the same width as the numbers in regular style; the consistency between styles is called "duplexing".[9]

Duplexed numerals in Concourse. The bold and non-bold digits have the same width.

The alternative to tabular spacing is proportional spacing, which places the numbers closely together, reducing empty space in a document, and is thought to allow the numbers to blend into the text more effectively.[9] With modern fonts using the TrueType or OpenType formats, it is possible to include both proportional and tabular figures in the same font file, and choose between them using font options settings in applications such as word processors or web browsers.[10][11][12]

Other uses

[edit]

In biochemistry, monospaced fonts are preferred for displaying nucleic acid and protein sequences, as they ensure that the representation of every nucleotide or amino acid occupies the same amount of space. Alignment of the letters makes it easier to compare different sequences visually.

Both screenplays and stage play scripts frequently use monospaced fonts, to make it easier to judge the time a script will last for from the number of pages. The industry standard is 12 point Courier. A tradition holds that, on this format, one page of script will take one minute of screen or stage time.[13]

Monospaced fonts are frequently used in tablature music for guitar and bass guitar. Each line in a tabulature represents a guitar string, which requires that chords played across multiple strings be tabbed in vertical sequence, a feat accomplished only with the predictability of fixed width.

See also

[edit]

Notes

[edit]
  1. ^ This definition does not apply to fonts with CJK support; see Duospaced font § In CJK typography.

References

[edit]
  1. ^ Rosendorf, Theodore (2009). The Typographic Desk Reference. New Castle, Delaware: Oak Knoll Press. p. 12. ISBN 978-1-58456-231-3.
  2. ^ Spolsky, Joel (24 October 2001). "User Interface Design For Programmers". Joel On Software. Retrieved 17 November 2014.
  3. ^ OpenDocument v1.1 specification (PDF), retrieved 2010-05-01.
  4. ^ Microsoft Corporation (June 1992), Microsoft Product Support Services Application Note (Text File) – GC0165: RICH-TEXT FORMAT (RTF) SPECIFICATION (TXT), retrieved 2010-03-13.
  5. ^ "A New Face for Adobe". Typekit Blog. Adobe. Retrieved 8 January 2016.
  6. ^ Shinn, Nick. "Shinntype Modern Suite specification" (PDF). Shinntype. Archived from the original (PDF) on 25 February 2021. Retrieved 16 October 2015.
  7. ^ Strizver, Elaine. "Proportional vs. Tabular Figures". fonts.com. Monotype Imaging. Retrieved 4 August 2014.
  8. ^ "Revenue". Hoefler & Frere-Jones. Retrieved 4 August 2014.
  9. ^ a b "Gotham: Numerics". Hoefler & Frere-Jones. Retrieved 27 September 2014.
  10. ^ Butterick, Matthew. "Alternate figures: consider the context". Butternick's Practical Typography.
  11. ^ Saller, Carol. "Old-Style Versus Lining Figures". Chronicle of Higher Education. Retrieved 4 August 2014.
  12. ^ Bergsland, David. "Using numbers in the proper case". Design & Publishing Center. Archived from the original on 19 October 2007. Retrieved 4 August 2014.
  13. ^ August, John (22 March 2006). "How accurate is the page-per-minute rule?". Retrieved 17 November 2014.

Source: Wikipedia. Article content is retrieved live through the MediaWiki API.

Wikipedia

Monospaced font

A monospaced font, also called a fixed-pitch, fixed-width, or non-proportional font, is a computer font whose letters and characters each occupy the same amount of horizontal space. This contrasts with variable-width fonts, where the letters and spacings have different widths. Monospaced fonts are customary on typewriters and for typesetting computer code. Monospaced fonts were widely used in early computers and computer terminals, which had limited graphical capabilities. Hardware implementation was simplified by using a text mode where the screen layout was addressed as a regular grid of tiles, each of which could be set to display a character by indexing into the hardware's character map. Some systems allowed colored text to be displayed by varying the foreground and background color for each tile. Other effects included reverse video and blinking text. Nevertheless, these early systems were typically limited to a single console font. Even though computers can now display a wide variety of fonts, the majority of IDEs and software text editors employ a monospaced font as the default typeface. This increases the readability of source code, which is often heavily reliant on distinctions involving individual symbols, and makes differences between letters more unambiguous in situations like password entry boxes where typing mistakes are unacceptable. Monospaced fonts are also used in terminal emulation and for laying out tabulated data in plain text documents. In technical manuals and resources for programming languages, a monospaced font is often used to distinguish code from natural-language text. Monospaced fonts are also used by disassembler output, causing the information to align in vertical columns. Optical character recognition has better accuracy with monospaced fonts. Examples are OCR-A and OCR-B. The term modern is sometimes used as a synonym for monospace generic font family. The term modern can be used for a fixed-pitch generic font family name, which is used in OpenDocument format (ISO/IEC 26300:2006) and Rich Text Format. Examples of monospaced fonts include Courier, Lucida Console, Menlo, Monaco, Consolas, Inconsolata, PragmataPro and Source Code Pro.

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Wikipedia

List of monospaced typefaces

This list of monospaced typefaces details standard monospaced fonts used in classical typesetting and printing.

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Wikipedia

Lucida Grande

Lucida Grande is a humanist sans-serif typeface. It is a member of the Lucida family of typefaces designed by Charles Bigelow and Kris Holmes. It is best known for its implementation throughout the macOS user interface from 2000 to 2014, as well as in other Apple software like Safari for Windows. As of OS X Yosemite (version 10.10), the system font was changed from Lucida Grande to Helvetica Neue. In OS X El Capitan (version 10.11) the system font changed again, this time to San Francisco. The typeface looks very similar to Lucida Sans and Lucida Sans Unicode. Like Sans Unicode, Grande supports the most commonly used characters defined in version 2.0 of the Unicode standard. Three weights of Lucida Grande: Normal, Bold, and Black, in three styles: Roman, Italic, and Oblique, were developed by Bigelow & Holmes. Apple released the Regular (Normal Roman) and Bold Roman with OS X. In June, 2014, Bigelow & Holmes released four weights: Light, Normal, Bold, and Black, in three styles: Roman, Italic, and Oblique. B&H also released Narrow versions of those twelve weight/styles, plus four Lucida Grande Monospaced fonts in Regular, Bold, Italic, and Bold Italic styles, with narrow versions of the four monospaced weight/styles. Lucida Grande fonts directly from Bigelow & Holmes contain the pan-European WGL character set.

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Wikipedia

Courier (typeface)

Courier is a monospaced slab serif typeface designed in the mid-1950s by Howard "Bud" Kettler for IBM. The Courier name and design concept are in the public domain. Courier has been adapted for use as a computer font, and versions of it are installed on most desktop computers.

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Supreme Court case ruled state-sponsored public-school segregation unconstitutional?

Brown v. Board of Education in 1954.