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THE JOURNEY THROUGH TIME

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Events

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Hallelujah Chorus

Date
ca. 1973
Description
A photocopy of a narrative essay written by James Baldwin and outlining a musical and dramatic collaboration between Baldwin and Ray Charles. The essay is typed in black ink on white paper and consists of five total pages: four interior pages as well as a title page.
The cover page reads [HALLELUJAH CHORUS] at center with [BY / JAMES BALDWIN] at the lower right. The first page is not numbered at the top and begins "My earliest notes indicate that Ray Charles is a A: Troubadour, B: Poet, C: Lover, D: Preacher, E: Tragic Artist." The remaining pages are numbered at the top center. The content of the essay describes Ray Charles and his music before giving a tentative outline for the proposed show. On page three, Baldwin writes, "I am sketching a blue-print for what is, after all, an unprecedented improvisation." The document ends with several paragraphs of prose identified as "JB's opening, after Lift Every Voice." which introduces the event as a "testimony service," and muses on the relationship of "Hallelujah" to "Amen." The essay ends on page four with "But I am here only as a witness, to say, Amen. The right Reverend Ray Charles is testifying, singing Hallelujah: Listen."
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National Museum of African American History and Culture Collection
Classification
Books and Published Materials
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2011.68.1.3
Type
essays
treatments (documents)
Restrictions & Rights
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
toner on paper (fiber product)
Dimensions
H x W: 14 x 8 1/2 in. (35.6 x 21.6 cm)
Title
Title • Hallelujah Chorus
Record ID
nmaahc_2011.68.1.3
Museum
NMAAHC
Title Sort
HALLELUJAH CHORUS
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s • 1970s
Geo Location
Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

It Was The Dutch

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NMAAHC

Broadside advertisement for a James Brown concert at the Nippon Budokan

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NMAAHC

Hallelujah Chorus

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NMAAHC

Autographed commemorative Charlotte Bobcats vs. the Orlando Magic basketball

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.