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THE JOURNEY THROUGH TIME

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Events

Moments that changed communities, movements, institutions and the nation.

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Photograph of stuntman Len Glascow being dragged on the ground

Date
1970
Photograph by
Caption
Organized in 1967, the Black Stuntmen’s Association was formed to break racial barriers behind the scenes in Hollywood, in both film and television production. Through their collective efforts, and with the support of prominent African American actors such as Bill Cosby, the BSA challenged the conventional practice of “paint-downs,” in which white stuntmen wearing dark makeup stood in for black actors. In addition to promoting the hiring of African American stunt workers, the BSA advocated for safer working conditions, equal compensation, and professional training for stunt people of all races and genders. Together with the Coalition of Black Stuntmen and Women, formed in 1973, the BSA has been honored by the NAACP and the U.S. Congress for leading the fight against discrimination in the film and television industry.
Actor, stunt man and stunt coordinator Len Glascow was an original member of the Black Stuntmen’s Association as well as the historian and spokesman for the “Buffalo Soldiers,” an informal group of athletes, actors, and non-professional actors that trained as horsemen and soldiers to portray the historical United States Army regiments in television and film. Conceived by actor-stuntman Bryan King in 1965, the Buffalo Soldiers became an obvious recruiting platform when BSA co-founder Eddie Smith began seeking Black stuntmen two years later. The group would later formalize as “The 10th Cavalry ‘Buffalo Soldiers’ Inc.” and perform in parades, state fairs, and horse shows, as well as television programs like The High Chaparral.
Description
A color photograph of Len Glascow being dragged along the ground by a rope. He is lying on his back as he's being pulled by a rope secured around his shoulders. He wears a denim shirt, striped uniform pants, boots, and gloves. The ground is dusty and bare and the shadow of another person's head is just visible in the lower right corner.
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National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Lenton W. Glascow
Data Source
National Museum of African American History and Culture
Object number
2013.73.5
Type
chromogenic color prints
Restrictions & Rights
No Known Copyright Restrictions
Permission required for use. Proper usage is the responsibility of the user.
Medium
dye and photographic gelatin on photographic paper
Dimensions
H x W (Image): 7 1/2 x 9 1/2 in. (19.1 x 24.1 cm)
H x W (Sheet): 8 x 10 1/8 in. (20.3 x 25.7 cm)
Title
Object Name • Photograph of stuntman Len Glascow being dragged on the ground
Record ID
nmaahc_2013.73.5
Museum
NMAAHC
Title Sort
PHOTOGRAPH OF STUNTMAN LEN GLASCOW BEING DRAGGED ON THE GROUND
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Geo Location
City • Burbank • County • Los Angeles County • State • California • Country • United States • Continent • North and Central America • City • Los Angeles
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Costume worn by Flip Wilson as Geraldine

Date: Date

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NMAAHC

Photograph of stuntman Len Glascow being dragged on the ground

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Caption

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NMAAHC

Photograph of a female performer in costume

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NMAAHC

Sounder

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.