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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

The Literary Corner: Kenneth Chambers on John A. Williams (side a) / Addison Gayle on Black Literary Criticism (side b)

Date
1978
Directed by
Description
A white plastic audio cassette with recordings of two episodes of the Literary Corner radio show. The program number is handwritten on the cassette in graphite.
Side A: "Kenneth Chambers on John A. Williams"
Episode 9 of the Literary Corner: Black Writers of the World radio program. The episode begins with intro music consisting of conga drums playing and a whistling sound. Host Pam Johnson then introduces the guest Dr. Kenneth Chambers and regular analyst Sarah Fabio. Some of the topics discussed in the episode include Williams’ novel The Man Who Cried I Am and works that it has been compared to; comparisons between Williams’ work and those of other Black writers; the reasons Williams and his work are not more well known, including the lack of Black literature courses and solutions to the problem; as well as the prevalence of interracial relationships in Williams' works and the message the panelists believe he would like to convey regarding interracial relationships. Toward the end of the show the panelists discuss some of the problems some African American writers face in publishing their works, namely Sutton Griggs. They also discuss the impact of the Black Arts movement on publishing.
Side B: "Addison Gayle on Black Literary Criticism"
Episode 10 of the Literary Corner: Black Writers of the World radio program. It opens with Addison Gayle reciting an excerpt from one of his works titled "A Blueprint for Black Criticism" as instrumental music plays in the background. Host Pam Johnson then introduces the guest, Addison Gayle, as well as two of the show's regular analysts, Edris Makward and Sarah Fabio. Some of the topics addressed in the episode include freedoms of creative writers; whether Addison Gayle thinks about the ideology he would like to put into his work; Gayle’s views a Black aesthetic or lack thereof; who in Gayle's opinion are the most promising young Black writers of the day, to which he replies with names such as Brenda Wilkinson and Sonia [Sanchez]; as well as whether it is legitimate for Black writers to increase the Black audience. The episode concludes with Pam Johnson summarizing discussion as the show’s theme song plays in the background.
Title
Cassette tape with two episodes of the Literary Corner radio program
See more items in
National Museum of African American History and Culture Collection
Portfolio/Series
The Literary Corner: Black Writers of the World
Classification
Time-based Media - Audio
Movement
BAM (Black Arts Movement 1965-1976)
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Contributed in memory of Professor Sarah Webster Fabio (1928-1979), poet, educator, Black Arts Movement icon, and one of the Literary Corner's analysts.
Data Source
National Museum of African American History and Culture
Object number
2010.17.1.5a
Type
audio cassettes
Restrictions & Rights
© Brooks B. Robinson
Permission required for use. Proper usage is the responsibility of the user.
Medium
plastic and tape
Dimensions
H x W: 2 3/4 × 4 1/4 × 5/8 in. (7 × 10.8 × 1.6 cm)
Duration (side a): 15 min., 6 sec.
Duration (side b): 15 min., 5 sec.
Title
Title • The Literary Corner: Kenneth Chambers on John A. Williams (side a) / Addison Gayle on Black Literary Criticism (side b)
Record ID
nmaahc_2010.17.1.5a
Museum
NMAAHC
Title Sort
THE LITERARY CORNER: KENNETH CHAMBERS ON JOHN A. WILLIAMS (SIDE A) / ADDISON GAYLE ON BLACK LITERARY CRITICISM (SIDE B)
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Geo Location
State • Wisconsin • Country • United States • Continent • North and Central America
Online Media Type
Sound recordings
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Black Journal: Color Us Black! (Part I)

Date: Date

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NMAAHC

The Literary Corner: Kenneth Chambers on John A. Williams (side a) / Addison Gayle on Black Literary Criticism (side b)

Date: Date

Description

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NMAAHC

Muster roll of sixteen soldiers from Falmouth

Date: Date

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NMAAHC

The Seventh Voyage of Sinbad

Date: Date

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.