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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Lobby card for Anna Lucasta

Date
1958
Description
A lobby card for the movie Anna Lucasta directed by Arnold Laven. The card is comprised of a color image set in the interior of a restaurant and a woman (Eartha Kitt) wearing a yellow dress is sitting on a table near a small oil lamp with a man dressed as a sailor (Sammy Davis Jr.) standing by her side. He is talking to another man (Henry Scott) also dressed as a sailor. In the background a red wall and a wooden booth and table with a checked tablecloth is visible as is a doorway. In the proper left bottom corner there is an orange text box that reads [PHILIP YORDAN'S / Anna Lucasta / starring / EARTHA KITT / SAMMY DAVIS, JR. / as "Danny"]. Beneath the image at the bottom left corner is [Copyright 1958 - United Artists Corporation]. At the bottom right corner is a licensing note from National Screen Service Corp. and [59/12].
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National Museum of African American History and Culture Collection
Classification
Memorabilia and Ephemera - Advertisements
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2011.41.8
Type
lobby cards
Restrictions & Rights
© 1958 - United Artists Corporation
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink on poster board
Dimensions
H x W: 11 x 14 in. (27.9 x 35.6 cm)
Title
Object Name • Lobby card for Anna Lucasta
Record ID
nmaahc_2011.41.8
Museum
NMAAHC
Title Sort
LOBBY CARD FOR ANNA LUCASTA
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1950s
Geo Location
Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Lobby card for The Joe Louis Story

Date: Date

Description

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NMAAHC

Lobby card for Lilies of the Field

Date: Date

Description

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NMAAHC

Lobby card for Anna Lucasta

Date: Date

Description

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No preview image
NMAAHC

Lobby card for To Sir, with Love

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.