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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 2 strongest Black History matches.
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NMAAHC

Playbill for The River Niger

Date
April 1973
Description
An off-white color-block paper playbill printed by Playbill for “The River Niger”.
On the top front of the playbill inside a pink, orange, and yellow color-block box is [PLAYBILL / MAGAZINE / BROOKS ATKINSON / THEATRE] in black ink. In the middle of the cover in large bold black type is [THE / RIVER NIGER].
On the inside of the playbill, a left page features a black-and-white photographic ad for Elizabeth Arden cosmetics. The right page (15) announces the play “The River Niger”. From the top in black type is [BROOKS ATKINSON / THEATRE / Under the direction of James and Joseph Nederlander / The River Niger is being presented on Broadway because of an overwhelming demand / for tickets which the Negro Ensemble was unable to fill during the play’s recent four- / month run at the St. Marks Playhouse. / For six seasons now, the NEC has been producing quality plays at our small 150-seat / home base theatre. / This unprecedented limited engagement on Broadway is note- / worthy. However, it does not mean that we are departing from our well established ac- / tivities as a non-profit producing institution and training program devoted to the con- / tinued growth and development of Black talents in every phase of theatre. / THE NEGRO ENSEMBLE COMPANY, INC. / presents / THE RIVER NIGER / by / JOSEPH A. WALKER / Directed by / DOUGLASS TURNER WARD / with / (Alphabetically) / GRAHAM BROWN / SAUNDRA MCCLAIN / ROXIE ROKER / CHARLES WELDON / FRANCES FOSTER / NEVILLE RICHEN / LENNAL WAINWRIGHT / DEAN IRBY / LES ROBERTS / DOUGLASS TURNER WARD / GRENNA WHITAKER / Lighting by / SHIRLEY PRENDERGAST / Set by / GARY JAMES WHEELER / Costumes by / EDNA WATSON / Incidental Music by / DOROTHY DINROE / Scenery and Costumes Supervised by / EDWARD BURBRIDGE / PREMIERED DECEMBER 5, 1972 AT ST. MARKS PLAYHOUSE / This play is dedicated to my mother and father and to highly underrate Black daddies everywhere. / --JOSEPH A. WALKER]. The rest of the interior consists of forty pages of text and advertisements. An Old Grand-Dad Whiskey ad is displayed below the play’s announcement. On the back of the playbill is an edge to edge color ad for Iceberg 10 cigarettes, depicted as a green and white striped carton in front of a white iceberg.
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National Museum of African American History and Culture Collection
Classification
Memorabilia and Ephemera - Other
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Sandra Austin
Data Source
National Museum of African American History and Culture
Object number
2014.196.1
Type
theater programs
Restrictions & Rights
© Metromedia, Inc 1973
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink on paper, metal
Dimensions
H x W x D: 9 × 5 5/8 × 1/8 in. (22.9 × 14.3 × 0.3 cm)
Title
Object Name • Playbill for The River Niger
Record ID
nmaahc_2014.196.1
Museum
NMAAHC
Title Sort
PLAYBILL FOR THE RIVER NIGER
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Geo Location
Locale • Brooks Atkinson Theater • City • New York City • State • New York • Country • United States • Continent • North and Central America
Online Media Type
Electronic resource • Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Playbill for The River Niger

Date: Date

Description

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NMAAHC

Playbill for The River Niger

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.