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THE JOURNEY THROUGH TIME

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Events

Moments that changed communities, movements, institutions and the nation.

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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NMAAHC

Why We Can't Wait

Date
1964
Description
A soft cover copy of Why We Can't Wait by Dr. Martin Luther King, Jr. The soft cover book has an adhesive binding. The front cover is white with a large black box dominating the top half of the cover. Inside the box is yellow and white text that reads [MARTIN / LUTHER / KING, Jr. / “Martin Luther King has made himself the unchallenged / voice of the Negro people – and the disquieting conscience / of the whites. That voice in turn has infused the Negroes / with the fiber that gives their revolution its stature.” / -TIME / EIGHT PAGES OF PHOTOGRAPHS]. Below is the box is the book title printed in large black text that reads [WHY WE / CAN’T / WAIT]. At the bottom of the cover, is additional small black text that reads [A SIGNET BOOK COMPLETE AND UNABRIDGED]. In the top right corner, is the publisher logo: the name [SIGNET / BOOKS] printed around a black oval with the book price, [60¢] printed in the negative at the center. Above is the text [P2476]. Printed on the spine is the Signet logo, the title of the book, and the author’s name. The back cover is predominately white with black text. The text at the top reads, [WHY WE CAN'T WAIT / is / MARTIN LUTHER KING’S / explanation of the events, the forces, / the pressures behind today’s / - and tomorrow’s - / quest for civil rights.] At the center of the back cover is a black rectangular box with yellow text that reads, [IN THIS BOOK / FOR THE FIRST TIME / ? The complete, full-length text of Dr. King’s / famous Letter from a Birmingham Jail, in / which he answers the churchmen who criti- / cized him for “unwise and untimely” dem- / onstrations. / ? Dr. King’s personal assessment of the / pattern that the Negro Revolution will take / in the future – a chapter in which he spells / out clearly the full political implications of / the civil rights movement… especially in / an election year.]. Printed inside a thin rectangular frame on the bottom third of the back cover is a short biography of King. The publisher’s information is printed in black text at the bottom of the back cover that reads [PUBLISHED BY THE NEW AMERICAN LIBRARY]. The interior pages are white with black text. Contents include acknowledgments, an introduction, eight chapters, and an index. The chapter titles are [The Negro Revolution, why 1963?], [The Sword That Heals], [Bull Connor's Birmingham], [New Day in Birmingham], [Letter from Birmingham Jail], [Black and White Together], [The Summer of Our Discontent], and [The Days to Come]. The book has 159 pages and five pages of printed black-and-white photographs.
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National Museum of African American History and Culture Collection
Collection title
The Rock Rest Tourist Home Collection
Classification
Books and Published Materials
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Portsmouth Black Heritage Trail, Inc.
Data Source
National Museum of African American History and Culture
Object number
2011.12.52.20
Type
paperbacks
Restrictions & Rights
© Estate of Martin Luther King, Jr.
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink on paper (fiber product) and adhesive
Dimensions
H x W x D: 7 1/16 × 4 1/4 × 7/16 in. (18 × 10.8 × 1.1 cm)
Title
Title • Why We Can't Wait
Record ID
nmaahc_2011.12.52.20
Museum
NMAAHC
Title Sort
WHY WE CAN'T WAIT
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s
Geo Location
City • Kittery • County • York County • State • Maine • Country • United States • Continent • North and Central America • City • New York City • State • New York
Type
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Maggie's American Dream: The Life and Times of a Black Family

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NMAAHC

The Black Woman: An Anthology

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NMAAHC

The Black Woman: An Anthology

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NMAAHC

Why We Can't Wait

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.