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THE JOURNEY THROUGH TIME

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Events

Moments that changed communities, movements, institutions and the nation.

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 1 strongest Black History matches.
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NMAAHC

Dress commissioned by Amy Sherald for her portrait of Breonna Taylor

Date
July 2, 2020
Caption
This dress was created for the portrait of Breonna Taylor by the artist Amy Sherald. The painting was commissioned for the cover of "The Great Fire," the September 2020 special issue of Vanity Fair guest edited by Ta-Nehisi Coates paying tribute to the racial justice uprisings of spring 2020. The painting, and by extension this dress, serves as a "piece of inspiration to keep fighting for justice" for Breonna, and as a work of "promise, witness, (and) remembrance."
The dress designer, Jasmine Elder, stated that she "designed this dress in the midst of what felt like a war zone for African American people in our own homes. Learning of Breonna Taylor's murder was horrifying. Like many I felt helpless and angry. Creating anything bright and beautiful during a time that was anything but bright and beautiful felt almost miraculous." And while the style of the dress is the same in the portrait, the color of the dress in the portrait was changed to turquoise. Sherald spoke about the change of color in Vanity Fair: "'painting someone posthumously, I wanted it to feel ethereal but grounded at the same time,' Sherald says. She tried a rainbow of options, yellows and reds and pinks, but none felt quite right, until she invoked the portrait itself. ‘Breonna, what color do you want this dress to be? Please, tell me what color you want this dress to be,’ Sherald says she mused. Then she hit on blue, a shade that echoes Taylor’s March birthstone, the aquamarine. 'The color that I chose almost had a resplendence to it. The monochromatic color allows you to really focus on her face. The whole painting really becomes about her.'" As for the design, Elder noted that, “I wanted it to be something that her mom would love and her fiancé would love because I knew for this painting, it would be like her forever dress.”
Description
Emerald green, bat wing maxi dress designed by JIBRI owner and designer Jasmine Elder. The dress was commissioned by the artist Amy Sherald for her portrait titled, Breonna Taylor. The solid color, size 14-16 dress is constructed from matte stretch crepe and features batwing sleeves, a deep V-neckline, a cinched high waistline, and an attached sash. The bodice of the dress is cinched at the waist by an interior elastic band. This results in the top of the dress blousing out slightly over the waistband. This elasticized waistband also creates gathers below the waist. The wide sash at the waist is the same fabric as the dress. It is stitched at the bottom center of the bodice, over the elasticized waistband. The sash ends are pointed and are longer than the dress. They are intended to wrap around the waist to be tied at the back. The skirt is floor length and A-line shaped. The skirt features two thigh-high slits to the left and right of the front, center creating a wide, rectangular panel at the front. The dress also features two pockets along the side seams, just below the waist. The dress is not lined and the white, elasticized waistband is visible at the interior waistline. A white fabric label with black printed text is sewn to the interior center neckline reads, [JIBRI] on the front and [Made in the U.S.A. / DRY CLEAN ONLY / www.jibrionline.com] on the back. A small, square, white, fabric label on top of the main label has black text on the front that reads [1].
See more items in
National Museum of African American History and Culture Collection
Classification
Clothing - Fashion and Historical
Movement
Black Lives Matter
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Amy Sherald
Data Source
National Museum of African American History and Culture
Object number
2022.12
Type
dresses
Restrictions & Rights
Unknown – Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
crepe with thread and elastic
Dimensions
H x W x D (Flat): 57 3/16 × 61 7/16 × 1 15/16 in. (145.2 × 156 × 5 cm)
Waist: 26 3/4 in. (68 cm)
Title
Object Name • Dress commissioned by Amy Sherald for her portrait of Breonna Taylor
Record ID
nmaahc_2022.12
Museum
NMAAHC
Title Sort
DRESS COMMISSIONED BY AMY SHERALD FOR HER PORTRAIT OF BREONNA TAYLOR
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2020s
Geo Location
City • Norcross • County • Gwinnett County • State • Georgia • Country • United States • Continent • North and Central America • City • Baltimore • County • Baltimore County • State • Maryland
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Dress commissioned by Amy Sherald for her portrait of Breonna Taylor

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Supreme Court case ruled state-sponsored public-school segregation unconstitutional?

Brown v. Board of Education in 1954.