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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Cab Calloway Home Movie #4

Date
ca. 1950
Description
A compilation reel of 16mm home movies filmed by Cab Calloway during a tour of South America, with both Kodachrome and black-and-white film edge codes indicating years of 1950 and 1955.
The initial (somewhat under-exposed) color footage is inside the Teatro Solis in Montevideo, Uruguay, and features musicians and dancers on stage. The following exterior daytime scene depicts a group of men with cameras in front of a motor coach bus. Scenes of the same motor coach in front of a large estate and garden feature Zulme "Nuffie" Calloway and a group of men. Subsequent scenes depict city streetscapes with men wearing gaucho pants, two of which emerge from an antique Model A Ford car. This is followed by a brief shot of a sunset filmed from a moving car. The camera roll ends with slightly overexposed footage of a ivy-walled palatial building, and race horses with jockeys; laboratory punch holes are visible at the end of the roll. The next camera roll opens with under-exposed interior footage of couples dancing in a ballroom; Cab Calloway is visible performing on stage and wearing a plaid blazer. The next scenes are exteriors, near a body of water, with Cab Calloway wearing shorts and a white tunic with black polka dots and hugging another man. Pleasure craft, docked in a harbor, are visible. Subsequent panorama shots feature Mrs. Calloway outdoors in a kimono-like bathrobe, and pans of seaside houses and gardens and of the ocean.
The next roll in this compilation reel is in black and white, and features a tilt pan of an apartment building, women, and children who walk down its stairs. One of the women is Zulme "Nuffie" Calloway and palm trees are present in the gardens in front of the apartment. Subsequent shots from the same location include young girls, and groups of men posing for the camera. There is also a panorama shot of a garden with palm trees. A building is visible with the sign: "Pan American World Airways Compania [illegible] Aviacion." A young girl with a doll has her photograph taken in front of a fountain. In the following scene, Cab Calloway is seen in a white tuxedo, escorting a bride in what appears to be a backyard wedding ceremony. The camera roll ends with an unfocused interior shot, before a cement splice appears. The next camera roll begins with black-and-white footage of the beach, with several beach goers posing in front of the camera, including Mrs. Calloway. The final scenes of this roll are interior shots of what appears to be an Argentinian asada, with plenty of grilled meat and people seated at a long table eating.
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National Museum of African American History and Culture Collection
Collection title
The Cabell “Cab” Calloway III Collection
Classification
Archival Collections
Time-based Media - Moving Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Cabella Calloway Langsam
Data Source
National Museum of African American History and Culture
Object number
A2015.273.2.4.1a
Type
silent films
home movies
color films (visual works)
16mm (photographic film size)
Restrictions & Rights
Creative Arts By Calloway, LLC
Proper usage is the responsibility of the user.
Medium
acetate film
Dimensions
Length (film strip): 450 Feet
Duration: 00:16:03
Title
Title • Cab Calloway Home Movie #4
Record ID
nmaahc_A2015.273.2.4.1a
Museum
NMAAHC
Title Sort
CAB CALLOWAY HOME MOVIE #4
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1940s • 1950s
Geo Location
City • Montevideo • Country • Uruguay • Region • Latin America • Continent • South America
Online Media Type
Video recordings
Online Media Rights
Copyright Owned

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Cab Calloway Home Movie #3

Date: Date

Description

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NMAAHC

Cab Calloway Home Movie #2

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NMAAHC

Cab Calloway Home Movie #4

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NMAAHC

Cab Calloway Home Movie #5

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.