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Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
"Part Time Punks" is a song by the English post-punk group Television Personalities. It initially appeared on their 1978 EP Where's Bill Grundy Now?, and was released by Rough Trade Records as a single in 1980. The song was written by the band's lead singer Dan Treacy and satirises the latecomer, fashion-oriented, so-called "plastic" punks who emerged after the UK punk rock movement became mainstream. The track appeared as part of the 1978 four-song EP Where's Bill Grundy Now?, recorded in four hours at a cost of £22 on the band's own label Kings Road. It was released as a single in 1980 by Rough Trade and sold 27,000 copies in its first year and bringing Television Personalities to prominence within the then-emerging UK independent music scene. Although it is one of the band's best-selling records, Treacy came to regard the track as a millstone and somewhat of a novelty song.
Television Personalities are an English post-punk band formed in 1977 in London by front man and singer-songwriter Dan Treacy. Their varied career also encompasses neo-psychedelia and indie pop; the only constant being Treacy's songwriting, with the band being best known for their early single "Part Time Punks", a favourite of John Peel. Present and former members include Chelsea childhood friends 'Slaughter Joe' Joe Foster, one-time best friend Ed Ball and Jowe Head (ex-Swell Maps), with Jeffrey Bloom from 1983 to 1994. Treacy, Head and Bloom formed the longest unchanged line-up. Though experiencing relatively minor commercial success, the TVP's have been highly regarded by critics as pioneers of early DIY music and proven to be widely influential on the C86 and twee generation, as well as Creation Records and American artists like Pavement and MGMT. In 1984, Pink Floyd's David Gilmour invited the TVP's to open for him. Kurt Cobain later invited the band to open for Nirvana in London on 5 November 1991. Treacy's unconventional but dryly witty and British pop culture-infused lyrics, have led to his reputation as a seminal and iconic figure within the independent music scene.
Pylon Reenactment Society is an American rock band from Athens, Georgia. Since 2014, Vanessa Briscoe Hay, who was the singer of Pylon, has fronted the Pylon Reenactment Society, aka PRS, a band featuring members of more recent Athens bands like The Glands and Casper & the Cookies who perform the music of Pylon and now are writing and recording original material. In a 2016 Portland Mercury interview, Hay said, "It's been inspirational, if that's the right word, to be able to play this music again. I really don't want people to forget Pylon. These are different people and we are re-enacting this experience, so it's not exactly Pylon, but it's fresh and done in the same spirit". In October 2017, Pylon Reenactment Society self-released an EP that was initially recorded on December 11, 2016 for broadcast in Los Angeles, California for DJ Michael Stock's Part Time Punks KXLU show, titled Part Time Punks Session. Hay was named one of the "25 Best Frontwomen of All Time" by Paste Magazine in March 2018. Pylon Reenactment Society released a 7-inch single with two brand-new songs, "Messenger" backed with "Cliff Notes" in late November 2018. Critic Falling James noted the new release in his LA Times article for upcoming shows in the LA area: "The A-side is an intriguing track as Hay purrs enigmatically over a rubbery bass line and sliced-up guitar accents, emphasizing that the charismatic vocalist's worldview is just as (post)modern as ever." On May 28, 2019, Pylon Reenactment Society performed at Primavera Sound 2019 in Barcelona, Spain upon a brand new stage sponsored by Heineken just for cult artists. On September 29, 2023 Pylon Reenactment Society announced the release of their debut album, Magnet Factory, which came out February 9, 2024 on Strolling Bones Records. It was produced by Briscoe Hay and NeSmith and recorded by David Barbe (Drive-by Truckers) and Tom Ashton (March Violets). ‘Magnet Factory’ features nine originals and two unrecorded Pylon tunes from their earliest days. Met with critical acclaim, Uncut Magazine awarded the album an 8/10 rating in the March 2024 issue, saying "Magnet Factory finds the quartet in scintillating form, shifting smartly between angular noise-pop and nervy punk-funk, topped with Hay’s spiky vocals… a terrific debut from American post-punk veterans." The Associated Press said, "...Briscoe Hay remains a distinctive, boundary-defying songwriter… Amid the algorithm-driven din that now fills earbuds, Magnet Factory sounds as fresh as Pylon first did… from start to finish, the band is an irresistible blend of simplicity and synchronicity, the music both edgy and therapeutic." "3 x 3," was the album Magnet Factory’s first digital single / video. "3 x 3" was originally written by Pylon (band) back in 1979," Vanessa tells us. "We had fun playing it live, but it didn’t make the cut for Gyrate and fell by the wayside. During subsequent reunions, it sometimes crept back into our set, but was never formally recorded. Pylon Reenactment Society rediscovered it, started playing it live, and have made this bouncy little earworm our own." October 27, 2023 found the debut of a digital single and video for “Flowers Everywhere in Magnet Magazine, an online magazine. "The 'Flowers Everywhere' video was directed by Dan Aguar, who worked on 'Can't Get There From Here' and 'The One I Love' as well as other '80s MTV classics." A non album holiday single "Christmas Daze" debuted December 1, 2023 in Under The Radar magazine. Their review reads “ “Christmas Daze” is a brisk and understated effort, one that meditates on the lonely side of the holiday but also brims with a welcoming energy. Briscoe Hay’s vocals are warm and lilting while the rhythm section brings the track along at a steady propulsive pace, carried by an ever-present bass riff and shimmering bursts of guitar. The lush washes of guitar and tambourine that accent the song feel like Christmas lights going on and off, punctuating the track’s lyrics with cozy swells of melody and gentle rays of hope.” On January 19, 2024 the video for the single “Fix It,” featuring vocals from Kate Pierson of The B-52’s, premiered in Paste Magazine. The video was directed by Dominic DeJoseph (R.E.M., Arthur Buck). “I’ve been a B-52’s fan since the first time I saw them, which was their third show ever,” Briscoe Hay says. “They were always supportive of Pylon. When I saw their final show in Athens, it struck me that Kate would be perfect for that particular song. It was such an honor to have one of my all time musical heroes sing on our song.” On February 9, 2024 in conjunction with the release of ‘Magnet Factory’, a video for “Heaven (In Your Eyes)” was released. The song was written by Pylon (band) in 1979, but never formally recorded in the studio. The video \ short was directed by Professor of Film at Augusta University, Matthew Buzzell. Buzzell is perhaps best known for his documentaries for indie band Luna and legendary jazz balladeer Jimmy Scott. Director Buzzell notes, “The opportunity to create something for Vanessa and the band is truly an honor. It has also afforded me the incredible opportunity to forge a small tie to Pylon, a band so very important and so very dear to me.”
Emos vs. Punks was a series of confrontations that occurred in Mexico from 2008 to 2009 in Mexico between emos and anti-emo groups, mainly punks. The emo movement emerged in Mexico in the early 2000s. It was influenced by the international subculture of the United States and pop punk music, known for its emotionally expressive lyrics. Fashion drew inspiration from androgynous styles, including skinny jeans and men wearing make-up, both uncommon in the country at that time. In Mexico City, emos first gathered at the Tianguis Cultural del Chopo, a flea market known for hosting various underground subcultures, including punk and heavy metal communities. As the movement became mainstream in the country, mainly among teenagers and young adults, anti-emo groups formed, which claimed that emos were appropriating and imitating their subcultures. Harassment from anti-emo groups escalated over time, with some even calling for the assassination of emos. In Mexico City, the anti-emo groups expelled emos from El Chopo market, prompting them to regroup at the Glorieta de los Insurgentes traffic circle, at the clandestine club Los Sillones. In March 2008, a group of emos was attacked in Querétaro City. Alleging that the emos were attempting to expand and appropriate more zones in Mexico City, anti-emo groups organized a confrontation at the traffic circle on 16 March 2008 via social network services. Police officers partially controlled the mob, but the unrest resumed a few hours later. It was not until members of the Hare Krishna movement intervened and diverted the attention from both groups that the brawl ended. In the following weeks, emo groups held demonstrations in the country, calling for respect and tolerance. Subsequently, the emo movement in Mexico declined, as many individuals either abandoned the identity or integrated into other subcultures.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Mae Jemison, aboard Space Shuttle Endeavour in 1992.