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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Cream knit dress with plastic buttons designed by Patrick Kelly

Date
1985
Caption
Patrick Kelly, a young, gay African American designer from Missisippi, became an international sensation in Paris during the mid-1980s for his bold and often whimsical designs. As the first American and person of color to be admitted as a member of the Chambre syndicale du prêt-à-porter, he broke barriers in the French fashion industry. Drawing on his childhood in the American South as inspiration, Kelly repurposed racial imagery and integrated elements of Black joy through bright colors, bows, and an extravagant use of buttons. Though his career lasted only from 1985 to 1990 before his death at 35 from AIDS complications, Kelly’s influence was profound—elevating African American designers and creating space for others, like Kerby Jean-Raymond, to playfully explore racial themes in fashion.
This dress was a part of a collection of tube dresses that Patrick Kelly designed in 1985 and were featured in French Elle. Kelly sewed these dresses himself to accommodate a special order from Bergdorf Goodman.
Description
A cream knit dress with plastic buttons designed by Patrick Kelly. The dress is made of red rib knit cotton. It is sleeveless, has a round neckline, and is form fitting. Seam allowance and the raw edges of the shoulder seams are seen along the exterior. The neckline, armholes, and bottom of the dress are all left raw and unstitched. Seven clear plastic buttons are sewn along the center front of the dress. The dress has a center back seam, no side seams, and is unlined. The open back has a low scoop neckline. A designer label is sewn vertically along the center back seam at the interior and reads [PATRICK KELLY / PARIS]. A care label and size label are sewn to the proper right side of the designer label. The care label contains the fiber content of the dress which is [55% LAINE - WOOL / 35% POLYESTER / 10% LAPIN - RABBIT] and washing instructions. A paper tag is attached to the center front of the dress below the neckline with a plastic fastener. It reads [PATRICK KELLY / PARIS] on the front and includes manufacturing information on the back.
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National Museum of African American History and Culture Collection
Classification
Clothing - Fashion and Historical
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bjorn G. Amelan and William T. Jones
Data Source
National Museum of African American History and Culture
Object number
2018.9.19
Type
dresses
sheath dresses
Restrictions & Rights
© Estate of Patrick Kelly
Permission required for use. Proper usage is the responsibility of the user.
Medium
wool, polyester, and rabbit fur blend, paper, and plastic
Dimensions
Length (shoulder to hem): 40 in. (101.6 cm)
Width (shoulder to shoulder): 12 in. (30.5 cm)
Waist (flat): 11 in. (27.9 cm)
Title
Object Name • Cream knit dress with plastic buttons designed by Patrick Kelly
Record ID
nmaahc_2018.9.19
Museum
NMAAHC
Title Sort
CREAM KNIT DRESS WITH PLASTIC BUTTONS DESIGNED BY PATRICK KELLY
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1980s
Place
Geo Location
City • Paris • Country • France • Continent • Europe
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Conductor's baton with mount used by William Patrick Foster

Date: Date

Description

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NMAAHC

Plastic pouch and multicolored button pins by Patrick Kelly

Date: Date

Description

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NMAAHC

Cream knit dress with plastic buttons designed by Patrick Kelly

Date: Date

Caption

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NMAAHC

Red knit dress with rhinestones on back designed by Patrick Kelly

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker