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THE JOURNEY THROUGH TIME

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Events

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Photographic print of Lee "Scratch" Perry's Black Ark Studio

Date
1978
Description
A black-and-white photograph of Lee Perry's Black Ark Studio, 1978, Kingston.
The studio has cement walls. The walls are covered in photographs, illustrations, graffiti, and other small objects. Many of the photographs are signed or have handwritten notes on them. There are old recording machines and studio equipment in the foreground.
Each image has a white border around it. The borders are thinner on the sides and thicker on the tops and bottoms. The back of 2015.132.165.1 is white. There is an inscription at the top, handwritten by Bill Adler. The back of 2015.132.165.2 has two Kodak logos repeated in gold. The logos are in diagonal lines and are facing the left side of the paper. There are two pieces of tape at the top, one on either side. There is an inscription at the bottom, handwritten by Bill Adler.
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National Museum of African American History and Culture Collection
Collection title
Eyejammie Hip-Hop Photography Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.132.165.1-.2
Type
black-and-white photographs
Restrictions & Rights
© Adrian Boot
Permission required for use. Proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper
Dimensions
H x W (2015.132.165.1 Sheet): 11 × 14 in. (27.9 × 35.5 cm)
H x W (2015.132.165.1 Image): 9 1/2 × 13 1/2 in. (24.2 × 34.3 cm)
H x W (2015.132.165.2 Sheet): 11 × 14 1/16 in. (27.9 × 35.7 cm)
H x W (2015.132.165.2 Image): 9 9/16 × 13 9/16 in. (24.3 × 34.5 cm)
Title
Object Name • Photographic print of Lee "Scratch" Perry's Black Ark Studio
Record ID
nmaahc_2015.132.165.1-.2
Museum
NMAAHC
Title Sort
PHOTOGRAPHIC PRINT OF LEE "SCRATCH" PERRY'S BLACK ARK STUDIO
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Geo Location
City • Kingston • County • Surrey County • Country • Jamaica • Subregion • Caribbean • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Photographic print of Lee "Scratch" Perry's Black Ark Studio

Date: Date

Description

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NMAAHC

Gelatin silver print of Nat King Cole, Perry Como, and Chester Dudley

Date: Date

Description

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NMAAHC

The Door to Lee Perry's, Washington Gardens

Date: Date

Description

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NMAAHC

Chromogenic print of Lee Perry in the Swiss Alps

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.