Civil Rights
Movements, leaders, victories and the continuing fight for equality.
Explore the people, places, events, achievements, struggles and stories that shaped our journey.
Movements, leaders, victories and the continuing fight for equality.
Innovation, patents, science, technology and world-changing contributions.
Pioneers, champions, Negro Leagues, records, activism and excellence.
Meet the people whose lives, choices and achievements shaped the journey.
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Moments that changed communities, movements, institutions and the nation.
Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
The Peruvian Immortal is the name given to a chess game played by the Peruvian master (later grandmaster) Esteban Canal against an unknown amateur (his surname is given as Horvath on Chessgames.com) in a simultaneous exhibition he gave at Budapest in 1934.[1][2][3][4] In just 14 moves, Canal sacrificed both his rooks and his queen, finishing with Boden's mate.
Julius du Mont calls it, "A charming game."[5] Irving Chernev writes, "In 13 moves, Canal sacrifices both Rooks and his Queen—and then mates on his 14th move! ... A man might play a million games of chess and never duplicate Canal's feat."[6] Fred Reinfeld writes,
When Anderssen sacrificed two Rooks, the Queen etc. against Kieseritzky, the finished product was described as 'the immortal game'. It might be more accurate to call it 'an immortal game', for since that time there have been many claimants to the title. Not the least deserving is [this] little gem, on which Canal may have lavished something less than five minutes. The game has the blazing quality of a Liszt improvisation.[7]
White: Esteban Canal Black: NN Opening: Scandinavian Defense (ECO B01)
Budapest 1934
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1. e4 d5 2. exd5 Qxd5 3. Nc3 Qa5 4. d4 c6 5. Nf3 Bg4 6. Bf4 e6 7. h3 Bxf3 8. Qxf3 Bb4 9. Be2 Nd7 10. a3 0-0-0?? (diagram)
11. axb4!!
11... Qxa1+
12. Kd2!
12... Qxh1
13. Qxc6+! bxc6 14. Ba6# 1–0
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Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
The Peruvian Immortal is the name given to a chess game played by the Peruvian master (later grandmaster) Esteban Canal against an unknown amateur (his surname is given as Horvath on Chessgames.com) in a simultaneous exhibition he gave at Budapest in 1934. In just 14 moves, Canal sacrificed both his rooks and his queen, finishing with Boden's mate. Julius du Mont calls it, "A charming game." Irving Chernev writes, "In 13 moves, Canal sacrifices both Rooks and his Queen—and then mates on his 14th move! ... A man might play a million games of chess and never duplicate Canal's feat." Fred Reinfeld writes, When Anderssen sacrificed two Rooks, the Queen etc. against Kieseritzky, the finished product was described as 'the immortal game'. It might be more accurate to call it 'an immortal game', for since that time there have been many claimants to the title. Not the least deserving is [this] little gem, on which Canal may have lavished something less than five minutes. The game has the blazing quality of a Liszt improvisation.
In chess, a pure mate is a checkmate position such that the mated king is attacked exactly once, and prevented from moving to any of the adjacent squares in its field for exactly one reason per square. Each of the squares in the mated king's field is attacked or "guarded" by one—and only one—attacking unit, or else a square which is not attacked is occupied by a friendly unit, a unit of the same color as the mated king. Some authors allow that special situations involving double check or pins may also be considered as pure mate. Pure mates are of interest to chess problem composers for their aesthetic value. In real gameplay, their occurrence is incidental. Nevertheless, several famous games have concluded with a pure mate, including the Immortal Game and the Evergreen Game, both won by Adolf Anderssen; the Peruvian Immortal; and the Game of the Century, an early brilliancy won by Bobby Fischer. Siegbert Tarrasch was fond of pure mates, often pointing them out when they occurred. Pure mate is one of a few terms used by composers to describe the properties of a checkmate position; related concepts include economical mate, model mate, and ideal mate. An economical mate is a position such that all of the attacker's pieces contribute to the checkmate, with the (optional) exception of the king and the pawns. The model mate and the ideal mate are both stronger forms of pure mate. When a checkmate is both "pure and economical", it is said to be a model mate. When, in a pure mate, all material on the board of either color plays a direct role in the checkmate, it is said to be an ideal mate.
Felipe Andres Coronel (born February 19, 1978), better known by his stage name Immortal Technique, is an American rapper, songwriter, and activist of Afro-Peruvian descent. His lyrics largely feature commentary on issues such as politics, religion, institutional racism, and government conspiracies. Immortal Technique seeks to retain control over his production, and has stated in his music that record companies profit the most from music over the artists themselves. He claimed in 2009 to have sold close to a combined total of 200,000 copies of his first three official releases.
Kasparov's immortal is a chess game played by Garry Kasparov as White against Veselin Topalov as Black at the Hoogovens Wijk aan Zee Chess Tournament 1999 chess tournament. This is one of Kasparov's most famous games; it is considered a masterpiece and Chess.com has listed it as the No. 1 chess game ever played.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
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