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THE JOURNEY THROUGH TIME

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Events

Moments that changed communities, movements, institutions and the nation.

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Photograph of music recording equipment used by Felton Williams, Jr.

Date
1977
Caption
Felton W. Williams Jr. was born on January 3, 1934, in Tupelo, Mississippi. In 1943 his family moved to Detroit, where they attended the same House of God Church as fellow steel guitar pioneer Maurice “Ted” Beard. Williams began playing lap steel in 1947, and by 1952 had played for many large church assemblies n Detroit, Toledo, Ohio, Kansas City, Missouri, and Nashville, Tennessee. In 1956 Williams began working as electrician for Ford Motor Company, a job he would have until retirement in 1994. He used his skills as an electrician to build amplifiers and steel guitars. Williams also taught steel guitar to youth from the church, and had a recording studio in his basement, where he recorded many gospel records for local singers. He was respected in the Sacred Steel community as an innovator, recording artist, studio owner, producer, instructor and inventor.
Description
A color photograph of equipment in Felton W. Williams' recording studio, Double U Studio. The image depicts several pieces of recording equipment sitting on a brown desk and in front of a large window. Handwritten in blue ink on the lower margin of the print is [1977].
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National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture; Gift of Felton W. Williams, Jr.
Data Source
National Museum of African American History and Culture
Object number
2011.64.2
Type
dye diffusion transfer prints
Restrictions & Rights
Public domain
Proper usage is the responsibility of the user.
Medium
dye and photographic gelatin on photographic paper
Dimensions
H x W (Sheet): 3 3/8 × 3 13/16 in. (8.5 × 9.7 cm)
Title
Object Name • Photograph of music recording equipment used by Felton Williams, Jr.
Record ID
nmaahc_2011.64.2
Museum
NMAAHC
Title Sort
PHOTOGRAPH OF MUSIC RECORDING EQUIPMENT USED BY FELTON WILLIAMS, JR.
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Photograph of music recording equipment used by Felton Williams, Jr.

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NMAAHC

Photograph of a man unloading equipment from a van at the March on Washington

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NMAAHC

Case for a camera filter from the studio of H.C. Anderson

Date: Date

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NMAAHC

Camera filter from the studio of H.C. Anderson

Date: Date

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.