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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

The Literary Corner: Introduction to African American Poetry with Eugene Redmond—Part I (side A) / Introduction to African American Poetry with Eugene Redmond—Part II (side B)

Date
1978
Directed by
Description
A white plastic cassette tape with recordings of two episodes of the radio program The Literary Corner. The cassette has a beige label on which typewritten text on one side reads [THE LITERARY CORNER / Intro to Afro American Poetry part 1. THE LITERARY CORNER Intro to Afro American Poetry part 2]. The typewritten text on the other side reads [THE LITERARY CORNER Intro to Afro American Poetry part 2].
Side A: Introduction to African American Poetry with Eugene Redmond—Part I
Episode 11 of the Literary Corner radio program. It is part one of a “two-part historical introduction of Afro-American poetry” and begins with poet Eugene Redmond reciting a poem, before segueing into an introduction by host Brooks Robinson. After the introduction, Redmond names some of the earliest African American poets, such as Phillis Wheatley, Jupiter Hammon, Briton Hammon, George Moses Horton, Gustavus Vassa (also known as Olaudah Equiano) and Frederick Douglas. Topics discussed include a brief overview of Phillis Wheatley’s life, and race consciousness (or lack thereof) in her work; how the first African enslaved people in the New World expressed their experiences or envisioned a new world in a new language; the development of folk literature and folk poetry; the development of written and oral protest poetry; writers in the 19th and 20th century, such as Albery Whitman, Paul Laurence Dunbar and James Weldon Johnson; the different schools of poetry, such as plantation and dialect; the use of unrealistic dialects by white writers. The discussion concludes with Eugene Redmond outlining the contributions and legacy of Paul Dunbar by listing institutions that have commemorated him through eponyms.
Side B: Introduction to African American Poetry with Eugene Redmond—Part II
Episode 12 of the Literary Corner radio program. It is part II of a two-part discussion on African American poetry. The episode begins with host Brooks Robinson introducing his guest, Professor Eugene Redmond, before segueing into a discussion of the Harlem Renaissance. Some of the themes and individuals discussed in the episode include the Harlem Renaissance; James Weldon Johnson’s contributions to African American poetry; black poets that emerged in the 1930s and 1940s, such as Frank Marshall Davis, Robert Hayton, M. Carl Holman, Gwendolyn Brooks and Melvin Tolson; Gwendolyn Brooks’ rise to prominence; black poets of the 1950s such as Lance Jeffers, Percy Johnston, Jay Wright, Henry Dumas, Clarence Major, Ted Joans, Bob Kaufman, and Russell Atkins; individuals of the early 1960s such as Larry Neal (Liberator magazine), John Henrik Clarke (Freedomways magazine) and several others; crucial figures of the Black Arts movement such as Ed Bullins, Leroy Jones (also known as Amiri Baraka) and Haki Madhubuti. The episode concludes with Eugene Redmond reading one of his poems, “I Can Never Unlove You,” while instrumental jazz music plays in the background.
Transcription Center Status
Transcribed by digital volunteers
Title
Cassette tape with two episodes of the Literary Corner radio program
See more items in
National Museum of African American History and Culture Collection
Portfolio/Series
The Literary Corner: Black Writers of the World
Classification
Time-based Media - Audio
Movement
Harlem Renaissance (New Negro Movement)
BAM (Black Arts Movement 1965-1976)
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Contributed in memory of Professor Sarah Webster Fabio (1928-1979), poet, educator, Black Arts Movement icon, and one of the Literary Corner's analysts.
Data Source
National Museum of African American History and Culture
Object number
2010.17.1.6a
Type
audio cassettes
Restrictions & Rights
© Brooks B. Robinson
Permission required for use. Proper usage is the responsibility of the user.
Medium
plastic and tape
Dimensions
H x W (audiocassette): 2 3/4 × 4 1/4 × 5/8 in. (7 × 10.8 × 1.6 cm)
Duration (side a): 00:14:19
Duration (side b): 00:14:50
Title
Title • The Literary Corner: Introduction to African American Poetry with Eugene Redmond—Part I (side A) / Introduction to African American Poetry with Eugene Redmond—Part II (side B)
Record ID
nmaahc_2010.17.1.6a
Museum
NMAAHC
Title Sort
THE LITERARY CORNER: INTRODUCTION TO AFRICAN AMERICAN POETRY WITH EUGENE REDMOND—PART I (SIDE A) / INTRODUCTION TO AFRICAN AMERICAN POETRY WITH EUGENE REDMOND—PART II (SIDE B)
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Geo Location
Country • United States • Continent • North and Central America • City • Harlem • County • New York • State • New York
Online Media Type
Sound recordings
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

The Literary Corner: Introduction to African American Poetry with Eugene Redmond—Part I (side A) / Introduction to African American Poetry with Eugene Redmond—Part II (side B)

Date: Date

Description

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NMAAHC

Furious Flower: A Revolution in African American Poetry

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NMAAHC

Biographical Sketches and Interesting Anecdotes of Persons of Colour. To Which Is Added, a Selection of Pieces in Poetry

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Caption

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NMAAHC

The Literary Corner: Introduction to African English Poetry with Brooks Robinson (side a) / Dennis Brutus’ Life and Works (side b)

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.