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In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
Post-punk (or postpunk) is a loosely defined music genre and period that emerged in the late 1970s in the wake of punk rock. The concept was originally outlined by Jon Savage in his "New Musick" editorial for Sounds magazine in November 1977. The term has been noted for lacking a universally agreed-upon definition. Post-punk musicians departed from punk's fundamental elements and raw simplicity, adopting instead a broader, more experimental approach that incorporated a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to move beyond rock clichés, artists drew influence from German krautrock and experimented with styles such as funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from modernist art, cinema, literature, and politics. They also established independent record labels, created visual art, staged multimedia performances, and produced fanzines. Among the early post-punk bands, only Siouxsie and the Banshees and Public Image Ltd. achieved commercial success in 1978, with debut singles reaching the top ten of the UK Chart. Regional scenes developed across Europe alongside new wave music, the most notable being the Netherlands' Ultra movement, Germany's Neue Deutsche Welle, Spain's La Movida Madrileña, and the coldwave scenes in France, Poland, and Belgium, as well as the Soviet and Yugoslav new wave. The original post-punk era emerged in parallel with the no wave and industrial music scenes, and later provided a foundation for British new pop and the Second British Invasion in the United States. Post-punk also influenced the development of numerous alternative and independent music genres, including gothic rock, neo-psychedelia, dark wave, dance-punk, jangle pop, ethereal wave, dream pop, and shoegaze. By the mid-to-late 1980s, usage of the term post-punk in music criticism and journalism waned as well as emergence of acts. During the 2000s, several New York bands incorporated post-punk influences into contemporary indie rock, leading to the dance-punk and post-punk revival. By the 2010s, European, Nordic, Canadian and American post-punk acts inspired the South London scene, termed "gristle rock", which led to the Windmill scene and crank wave or "post-Brexit new wave", who were defined by a predominant style of "talk-singing". Some post-punk acts became briefly associated with the internet microgenre "doomer wave", sometimes associated with Russian post-punk and darkwave acts in the early 2020s. Around the same time, regional scenes developed in Russia and Latin America.
Post-punk revival (also known as indie rock revival or garage rock revival) is a musical scene and movement that emerged in the early 2000s. Originating as a stripped-down and back-to-basics version of guitar rock inspired by the original sounds and aesthetics of post-punk, new wave and garage rock, the movement became closely associated with the new wave revival and garage rock revival. The genre has an emphasis on "rock authenticity" that was seen as a reaction to the commercialism of MTV-oriented nu metal, hip hop and "bland" post-Britpop groups. The commercial breakthrough of the genre came with the release of the Strokes' Is This It and the White Stripes' White Blood Cells, both in 2001. The genre reached a zenith in the middle of the decade with the success of Bloc Party, Arctic Monkeys, the Killers, and Yeah Yeah Yeahs. Over time, later indie and post-punk bands were criticized with the term "landfill indie".
The following is a list of post-punk bands. Post-punk is a musical movement that began at the end of the 1970s, following on the heels of the initial punk rock movement. The essential period that is most commonly cited as post-punk falls between 1978 and 1984.
The Post Punk Kitchen began as a vegan cooking show created and hosted by Isa Chandra Moskowitz and Terry Hope Romero. It aired on Brooklyn and Manhattan public-access television cable TV from 2003 to 2004. After the show ended, The Post Punk Kitchen turned into a recipe website.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Mae Jemison, aboard Space Shuttle Endeavour in 1992.